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You are here: Home / Jazz Lessons / Jazz Standards / Have You Met Miss Jones Solo Lesson
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Have You Met Miss Jones Solo Lesson

Have You Met Miss Jones Solo Lesson

$9.99

SKU: 034 Category: Jazz Standards Tags: audio lesson, Have You Met Miss Jones, jazz improvisation, jazz standards
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Description

In this lesson I play and discuss a two chorus solo I wrote on the changes to “Have You Met Miss Jones” by Richard Rodgers and Lorenz Hart. I play the solo for you on the soprano saxophone and then talk through all the different elements and aspects of the solo. I go into detail about what I was thinking when I wrote it and also what kind of ideas I’m thinking about when improvising. This is a great lesson to get if you want to study out motivic development and how to create a solo. The lesson comes with the 2 chorus solo written out for Bb tenor saxophone and soprano saxophone.

Composing solos and writing them down on paper is a great way to test your improvisational abilities at a slower pace. You can take your time and see what kind of ideas and lines you can come up with over the songs chord changes. This process is also a great way to reveal your weaknesses. If you get stuck on a certain chord , can’t come up with something that sounds good or can’t write lines that flow and are interesting over the changes then you have revealed something that you need to work on. If you can’t do those things when you have all the time in the world then chances are you won’t be able to in the moment while playing either. There’s a lot to be learned from this solo. The lesson comes with a Bb version of the solo both for soprano and tenor saxophones. Enjoy! (Audio Lesson 27 minutes)

 

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Lesson Sample

https://public.neffmusic.com/Miss%20Jones%20Solo%20clip.mp4

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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P
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

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