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You are here: Home / Sax Lessons / Sax Technique / Great Saxophone Technique-The Chromatic Scale Lesson 1
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Great Saxophone Technique-The Chromatic Scale Lesson 1

Great Saxophone Technique-The Chromatic Scale Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 171 Category: Sax Technique Tags: chromatic scale, practice habits, saxophone technique, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Many times my students will ask me how I can play so fast………..I always respond “Practice”.  In this lesson I take you through some exercises that I have student work through who need to learn the chromatic scale.  I take you through each step of the exercises and show you how to practice them from the very beginning and build up speed.  I also include many tips on playing them with good technique as well as how to use the metronome with them.  It is important to really get these fundamentals of a solid technique down so that later you will have fewer weaknesses in your playing.  I talk about the best alternate fingering to use and give you some “Inside” tips on how to develop the best hand position and finger movement.  I demonstrate everything on the tenor saxophone.  This is Lesson 1 of a 2 part lesson on the chromatic scale.  Enjoy!  (Video)

1 review for Great Saxophone Technique-The Chromatic Scale Lesson 1

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    Rated 5 out of 5

    Soruyo – February 10, 2011

    I really love how Steve really cares about good habits when playing. This lesson is very important to build up technique. The importance Steve gives to following each of his tips and instructions about how to play the chromatic scale is something everybody should do in order to be a better player and master the instrument.

    I thank Steve for his care about our progress and improvement. Not many (or maybe none) teachers really care about their students´ good habits, improvement and progress.

    Appreciate it Steve! I will definitely do as you say and am sure I´ll feel the difference in my playing. Just as I did with the use of the side Bb key.

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Lesson Sample

https://public.neffmusic.com/Great%20Technique-The%20Chromatic%20Scale%20Lesson%201%20clip.mp4

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Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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