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You are here: Home / Jazz Lessons / Scale Studies / Giant Steps Lesson 3-Pentatonics
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Giant Steps Lesson 3-Pentatonics

Giant Steps Lesson 3-Pentatonics

$9.99

SKU: 363 Category: Scale Studies Tags: Giant Steps, jazz improvisation, pentatonics, video lesson
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Description

In this 3rd lesson on Giant Steps, I teach you how to use the common minor pentatonic scale over these difficult changes. It is a cool thing when you can take a concept that you already know well and then with a little understanding, apply it to something else. That is what we will do in this lesson.  I will show you how to take minor pentatonics based off of the whole tone scale root motion and apply them in a cool way over the Giant Steps changes.

This concept gave me a very new and unique way to approach Giant Steps that really transformed my ideas on this tune.

I have included a PDF for Bb,Eb and C instruments that tells you where to use each pentatonic scale as well as a sample solo based on those pentatonics.  I teach you all the specifics of how I teach this concepts to my “live” students so you know all the ways to practice this concept and get the most out of it.  (Video & PDF 36 Minutes)

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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