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Four Solo Lesson

Four Solo Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 043 Category: Jazz Standards Tags: audio lesson, Four, jazz improvisation, jazz standards
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I go through a 2 chorus solo that I wrote over the changes to “Four” by Miles Davis.  This is a jazz standard that all serious jazz players and students know.  I talk in detail about the tools I used to create the solo.   I also take you through the process of how I create motifs and build on them throughout a solo. This lesson is a great overview of many of the topics I cover in other lessons but here you can see first hand how I put them into practice.  Composing solos and writing them down on paper is a great way to test your improvisational abilities at a slower pace.  You can take your time and see what kind of ideas and lines you can come up with over the songs chord changes.  This process is also a great way to reveal your weaknesses.  If you get stuck on a certain chord , can’t come up with something that sounds good or can’t write lines that flow and are interesting over the changes then you have revealed something that you need to work on.   If you can’t do those things when you have all the time in the world then chances are you won’t be able to in the moment while playing either.  There’s a lot to be learned from this solo.  The lesson comes with an Eb and Bb version of the solo both for alto and tenor saxophones.  Enjoy! (Audio Lesson 27 minutes)

1 review for Four Solo Lesson

  1. Avatar
    Rated 5 out of 5

    Jim Baynor – February 2, 2010

    Got your solo for FOUR. It was excellent. Really musical and uses your ideas with the Approach notes.

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Lesson Sample

https://public.neffmusic.com/Four%20Solo%20clip.mp4

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Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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