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You are here: Home / Jazz Lessons / Blues Scales / Dominant Double Blues Scale Mastery Lesson
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Dominant Double Blues Scale Mastery Lesson

Dominant Double Blues Scale Mastery Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 185 Category: Blues Scales Tags: blues scale, jazz improvisation, tenor saxophone, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a pretty cool solo on how to use  what I call the double blues scales over a dominant tonality.  I go into detail on how use two blues scale over a dominant chord. For example, if you are playing over A7, I show you how to use the F# blues scale going up and the A blues scale coming down.  I also show you which notes to band and how to resolve the lines.  I have written out a PDF in each of the 12 keys with the blues scales on them.  Your job is to learn the lines, master the scales and develop some great blues licks of your own.  I demonstrate everything on my tenor sax.(Audio & Video)

2 reviews for Dominant Double Blues Scale Mastery Lesson

  1. Avatar
    Rated 5 out of 5

    Peter Rawlings – May 9, 2010

    I just watched your Dominant Double Blues lesson – it is very clear, and easy to understand. It’s such a simple concept, and yet it sounds so good when applied. Thank you very much. This is the first lesson of yours I’ve tried. I will definitely be back for more!
    best regards,
    Peter Rawlings

  2. Avatar
    Rated 5 out of 5

    Matt D. – July 6, 2010

    I absolutely love this lesson. I only had a chance to shed this for a couple of hours before I had to play at church yesterday and it has improved my playing already.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Double%20Blues%20Scale%20Mastery%20clip.mp4

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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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Gerry Aylward
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
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