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You are here: Home / Jazz Lessons / Dominant Blues Approach Note Mastery-Lesson 2
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Dominant Blues Approach Note Mastery-Lesson 2

Dominant Blues Approach Note Mastery-Lesson 2

$9.99

Categories: Approach Notes, Jazz Lessons Tags: 12 bar blues, approach notes, dominant chords, jazz improvisation, saxophone, video lesson
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Description

Dominant Blues Approach Note Mastery is a new series of lessons that takes a fresh approach to learning all of your dominant approach note lines and resolutions in all 12 keys over a standard 12 bar blues form.

In this series we will be applying the approach patterns and lines from my “Approach Note Velocity” books to a standard 12 bar blues progressions in all 12 keys. The goal of these lessons is for the student to master each of these approach patterns as well as learning how to apply these lines and jazz vocabulary to chord changes as you go.

I teach in depth about how to apply these lines to each chord in a standard 12 bar blues and the reasons behind each choice of approach note line. I demonstrate all the lines on the soprano saxophone and give you tips and ideas on how to best practice and eventually master them in all 12 keys.

Lesson 2 continues where lesson 1 let off with an approach note line that I feel gives the student a great tool to travel from chord tone to chord tone through any chord progression. This lesson becomes more difficult in that we are going from playing 8th note lines in lesson 1 to 16th note lines in lesson 2. In future lessons, we will be linking a variety of approach note lines to each other to create flowing running lines that weave in and out of the tonality to create interesting shapes and sounds over the chord changes of a 12 bar blues that can also be applied to a variety of standard chord progressions as well.

This will be a long series but I hope to add some elements to these lessons that will make learning the approach note lines a bit easier and more interesting along the way. (33 Minute Video Lesson, 3 PDF pages of approach note line over a 12 bar blues, 3 play along tracks at 85, 110 and 140 bpm, chords progression PDF sheets of play along for concert, Bb and Eb instruments)

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Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

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