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Dominant Blues Approach Note Mastery-Lesson 2

Dominant Blues Approach Note Mastery-Lesson 2

$9.99

Categories: Approach Notes, Jazz Lessons Tags: 12 bar blues, approach notes, dominant chords, jazz improvisation, saxophone, video lesson
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Description

Dominant Blues Approach Note Mastery is a new series of lessons that takes a fresh approach to learning all of your dominant approach note lines and resolutions in all 12 keys over a standard 12 bar blues form.

In this series we will be applying the approach patterns and lines from my “Approach Note Velocity” books to a standard 12 bar blues progressions in all 12 keys. The goal of these lessons is for the student to master each of these approach patterns as well as learning how to apply these lines and jazz vocabulary to chord changes as you go.

I teach in depth about how to apply these lines to each chord in a standard 12 bar blues and the reasons behind each choice of approach note line. I demonstrate all the lines on the soprano saxophone and give you tips and ideas on how to best practice and eventually master them in all 12 keys.

Lesson 2 continues where lesson 1 let off with an approach note line that I feel gives the student a great tool to travel from chord tone to chord tone through any chord progression. This lesson becomes more difficult in that we are going from playing 8th note lines in lesson 1 to 16th note lines in lesson 2. In future lessons, we will be linking a variety of approach note lines to each other to create flowing running lines that weave in and out of the tonality to create interesting shapes and sounds over the chord changes of a 12 bar blues that can also be applied to a variety of standard chord progressions as well.

This will be a long series but I hope to add some elements to these lessons that will make learning the approach note lines a bit easier and more interesting along the way. (33 Minute Video Lesson, 3 PDF pages of approach note line over a 12 bar blues, 3 play along tracks at 85, 110 and 140 bpm, chords progression PDF sheets of play along for concert, Bb and Eb instruments)

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I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

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