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Diminished Mastery Etude #1

Diminished Mastery Etude #1

$9.99

Category: Modern Improv Tags: diminished scale, dominant chords, jazz education, jazz lines, moder improvisation
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Description

Diminished Mastery Etude #1 is a lesson I have made to introduce students to some more advanced diminished lines and concepts. I have written these lines down in the form of an etude for students to practice to the play alongs that I have included.

This lesson is focused on one diminished scale as it is used over 4 different tonics. A7,C7,Eb7 and F#7 for Bb instruments. The goal of this lesson is for the student to gain a mastery of these advanced diminished lines as well as to train their ear to use this one scale over the 4 possible tonics. I show you how to work through the etude and how to use it as a starting point for your own diminished studies.

This lesson goes much deeper than just playing an Etude but is a tool for the more advanced student to use to inspire them with the possibilities available with the diminished scale. All the concepts are demonstrated on the soprano saxophone. (36 minute video lesson, 2 page PDF etude written in 4 keys, 4 play alongs in the concert keys of G7,Bb7,Db7 and E7)

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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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Carole B
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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