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Diminished Mastery Etude #1

Diminished Mastery Etude #1

$9.99

Category: Modern Improv Tags: diminished scale, dominant chords, jazz education, jazz lines, moder improvisation
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Description

Diminished Mastery Etude #1 is a lesson I have made to introduce students to some more advanced diminished lines and concepts. I have written these lines down in the form of an etude for students to practice to the play alongs that I have included.

This lesson is focused on one diminished scale as it is used over 4 different tonics. A7,C7,Eb7 and F#7 for Bb instruments. The goal of this lesson is for the student to gain a mastery of these advanced diminished lines as well as to train their ear to use this one scale over the 4 possible tonics. I show you how to work through the etude and how to use it as a starting point for your own diminished studies.

This lesson goes much deeper than just playing an Etude but is a tool for the more advanced student to use to inspire them with the possibilities available with the diminished scale. All the concepts are demonstrated on the soprano saxophone. (36 minute video lesson, 2 page PDF etude written in 4 keys, 4 play alongs in the concert keys of G7,Bb7,Db7 and E7)

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

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Hi Steve,

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