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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Patterns Practice Regime Lesson
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Diatonic Patterns Practice Regime Lesson

Diatonic Patterns Practice Regime Lesson

$9.99

Category: Scale Studies Tags: diatonic patterns, harmonic minor, jazz improvisation, major scale, melodic minor, video lesson
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Description

In this lesson, I introduce a new way to practice diatonic patterns from my book “Mastering Major Diatonic Patterns”. There are 150 diatonic patterns in this book in all 12 keys. Up to this point, I have only been practicing these patterns in the major scale. Last week, I started working through the patterns in major, melodic minor and harmonic minor scales and am very excited about the results.

This lesson includes a play along track that travels though all 12 keys. It give you four measures of major, four of melodic minor and four of harmonic minor to practice the diatonic patterns in each sale before modulating up a half step.

This is a great lesson for those of you who want a systematic method to tackling the three primary scale types (major, melodic minor and harmonic minor) while learning new melodic material from the abundance of diatonic patterns in my book. This is a great method to build technique as well as knowledge of the scales and how they work against ii-V-I progressions in major and minor keys.(37 Minute Video Lesson, playalong track in all 12 keys, PDF of playalong track chords for first 12 measures)

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Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
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Craig
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

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Claude

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First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
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Robert

Robert
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Ed Woodmansee

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