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You are here: Home / Jazz Lessons / Modern Improv / Creating Modern Lines with Altered Pentatonic Variations-Lesson 1
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Creating Modern Lines with Altered Pentatonic Variations-Lesson 1

Creating Modern Lines with Altered Pentatonic Variations-Lesson 1

$11.99

Categories: Modern Improv, Scale Studies Tags: altered pentatonics, jazz improvisation, moder improv, playing outside, video lesson
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Description

In this lesson, we are taking a more in-depth look at the use of altered pentatonic variations to play cool “outside”lines over a minor key center.   This lesson is based off of the pentatonic line #20 in my book “Mastering Altered Pentatonics”. You will need that book to get the most out of this lesson.

In this lesson, I have created a system that I used to mix up the 12 pentatonic altered scales in my book to create these 24 great sounding modern lines.  I teach you how I came up with this system and how I used it to create these fresh lines based off of the 12 pentatonic scales in my book. 

This is a great lesson if you struggle with adding variety and “outside” lines to your favorite minor grooves.  Mastering these altered pentatonics will give you access to a range of sounds that will make other musicians ask what you were playing and thinking on your last solo……..I demonstrate all the lines to a funky D minor play along (C minor concert) and demonstrate all the lines on the soprano saxophone.

(38 Minute Video Lesson,  36 page PDF of  24 altered pentatonic variations in all 12 keys)

 

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Lesson Sample

https://public.neffmusic.com/Altered_Pentatonic_Variations-Lesson_1_Clip.mp4

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Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

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