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You are here: Home / Jazz Lessons / Modern Improv / Chord Substitution Lesson 2-The Tritone Lesson
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Chord Substitution Lesson 2-The Tritone Lesson

Chord Substitution Lesson 2-The Tritone Lesson

$9.99

SKU: 196 Category: Modern Improv Tags: chord substitutions, modern jazz improvisation, tritone sub, video lesson
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Description

The tritone substitution refers to replacing a chord with another chord that is a tritone away.  A tritone is 3 whole steps ( or 6 half steps) away from the original chord.   For example, a tritone away from C is F#.  A tritone away from F# is back to C.  When we talk about tritone substitutions in this lesson we are talking about using this concept on the dominant chords.  On a ii-V-I progression like Dm7-G7-CMaj7 we would substitute Db7 for G7 to make the progression Dm7-Db7-Cmaj7 which creates a downward bass movement.  Sometimes this substitution will happen in the rhythm section but even if it doesn’t, it sounds really cool when a soloist uses it in their improvisation.

In this 2nd lesson on chord substitutions I teach you all about these tritone substitution.  I teach you how to think about this common substitution and use it in your jazz improv.  Once you master this concept you can  come up with some great lines that will sound hip and modern.  This lesson comes with a PDF sheet with some detailed lines using this concept.  I play all the examples on the soprano saxophone with a background so you can hear what they sound like. (31 Minute Video Lesson & PDF)

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Lesson Sample

https://public.neffmusic.com/Chord_Substitution_Lesson_2-Tritone.mp4

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Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
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Kenyon Carter

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

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