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You are here: Home / Jazz Lessons / II-V-I Patterns / Best II-V-I Patterns Lesson 4
Best II-V-I Patterns Lesson 4

Best II-V-I Patterns Lesson 4

$9.99

Category: II-V-I Patterns Tags: II-V-I, jazz improvisation, jazz patterns, saxophone, video lesson
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The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular  “The Best II-V-I Patterns”  book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching. While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.  I have received many emails asking how to use the book to become a better improviser and jazz player. I released my “Best II-V-I Overview Lesson” to address many of these questions in a short 33 minute lesson but at this time, I feel it would be good to go into more depth with the book and how I study and teach out of it.

In this series of lessons, I show you exactly how I work out of the book myself as well as teach from it.  I cover all of the steps and tips that I can think of on how to best practice and master the material in the Best II-V-I Patterns Books. I play through each of the patterns in the book and then teach in depth about how to think about the patterns as well as the best ways to practice them. These are great companion lessons to my “Best Major II-V-I”  books.  I recommend getting the books in order to get the most out of these lessons.

I play examples 13-24 on the tenor saxophone. In lesson 4 of this series, I teach you the importance of learning a jazz vocabulary based off of II-V-I’s as well as tips and strategies to best learn from “The Best II-V-I Patterns”. I teach you the importance of learning to vary and change the patterns as you master them so that you can use them while improvising in a fluid and dynamic way.(36 Minute Video Lesson)

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Testimonials

Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

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