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You are here: Home / Beginner Improvisation Series / Beginner Improvisation-Alto Sax / Beginner Jazz Improvisation Lesson 4A-Alto Sax
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Beginner Jazz Improvisation Lesson 4A-Alto Sax

Beginner Jazz Improvisation Lesson 4A-Alto Sax

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 273 Category: Beginner Improvisation-Alto Sax Tags: alto saxophone, beginner, jazz improvisation, sax lessons, video lessons
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a beginner jazz improvisation series for alto sax.  In this series of lessons I will take you from the very beginning and teach you how to improvise.

In this lesson,  I teach you the importance of melody.  Playing lines and solos that are melodic and pleasing to the ear is one of the most important thing a young improviser can learn.    Many novice improvisers have a hard time bridging the gap between learning scales and chords and then creating melodies with those building blocks.  In this lesson,  I show you how to do just that.  It is a life long process but my goal is to get you started early so that you can become a great improviser over time.  I want to become an improviser that can create great and memorable solos that the audience will  hear and remember.  (34 Minute Video Lesson)

2 reviews for Beginner Jazz Improvisation Lesson 4A-Alto Sax

  1. Steve
    Rated 5 out of 5

    Steve – May 16, 2011

    If you know nothing about improvising then I would suggest the Beginner Jazz Improvisation series for saxophone. I have tenor and alto versions. Steve

  2. Avatar
    Rated 5 out of 5

    Stephen LaBrooy – May 28, 2011

    Steve places emphasis on learning to play with melody and apply it to everything you play. To further emphasize the importance of this lesson Steve describes it as the golden key to everything he is telling/showing us. If you have not already got this lesson I would recommend it.

    Kindest Regards Stephen

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Testimonials

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

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