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You are here: Home / Beginner Improvisation Series / Beginner Improvisation-Alto Sax / Beginner Jazz Improvisation Lesson 4A-Alto Sax
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Beginner Jazz Improvisation Lesson 4A-Alto Sax

Beginner Jazz Improvisation Lesson 4A-Alto Sax

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 273 Category: Beginner Improvisation-Alto Sax Tags: alto saxophone, beginner, jazz improvisation, sax lessons, video lessons
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a beginner jazz improvisation series for alto sax.  In this series of lessons I will take you from the very beginning and teach you how to improvise.

In this lesson,  I teach you the importance of melody.  Playing lines and solos that are melodic and pleasing to the ear is one of the most important thing a young improviser can learn.    Many novice improvisers have a hard time bridging the gap between learning scales and chords and then creating melodies with those building blocks.  In this lesson,  I show you how to do just that.  It is a life long process but my goal is to get you started early so that you can become a great improviser over time.  I want to become an improviser that can create great and memorable solos that the audience will  hear and remember.  (34 Minute Video Lesson)

2 reviews for Beginner Jazz Improvisation Lesson 4A-Alto Sax

  1. Steve
    Rated 5 out of 5

    Steve – May 16, 2011

    If you know nothing about improvising then I would suggest the Beginner Jazz Improvisation series for saxophone. I have tenor and alto versions. Steve

  2. Avatar
    Rated 5 out of 5

    Stephen LaBrooy – May 28, 2011

    Steve places emphasis on learning to play with melody and apply it to everything you play. To further emphasize the importance of this lesson Steve describes it as the golden key to everything he is telling/showing us. If you have not already got this lesson I would recommend it.

    Kindest Regards Stephen

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Testimonials

I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

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