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You are here: Home / Jazz Lessons / The Blues / Bb Concert Shuffle Blues Lesson 1
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Bb Concert Shuffle Blues Lesson 1

Bb Concert Shuffle Blues Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 367 Category: The Blues Tags: blues improvisation, jazz, shuffle blues, video lesson
  • Description
  • Reviews (1)

Description

This is Part 1 of a lesson I prepared for a member on my site.  He plays in a few bands that play a “shuffle” blues.  He asked me if I could do a lesson on the kind of stuff I would play on this type of blues so………

At first, I tried to start writing out a solo over a band in the box track but quickly realized that it was too “sterile” and academic.  I decided to just put on the track and play.  Later I came back and transcribed what I had played.

In Part One of this lesson, I have included a PDF of 5 choruses of my solo.  The PDFs are in C, Bb and Eb.   I have also included the band in the box play along so you can try playing the solo on your own with the background.  This lesson also comes with a mp3 of the solo material.

In the video lesson, I take you through the PDF in Bb and explain the different aspects of the solo.  Note choices, motifs,altissimo fingerings, stylistic affects, etc……..

This is a great lesson if you would like some more energetic and fresh ideas on what you can play on a “shuffle” blues. (Video 34 minutes, PDF in C,Bb and Eb, BIAB play along for Bb concert shuffle blues and audio recording of my solo)

1 review for Bb Concert Shuffle Blues Lesson 1

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    Rated 5 out of 5

    Bill – September 6, 2013

    This is one of the first lessons that I took and at the time I loved it. I played it over and over again. I really didn’t understand how these riffs where constructed all I knew was that it sounded great. But now since I am half way through the series on “jazz improvisation lessons” I have a much more in depth appreciation for this lesson. I now understand how these riffs were constructed and I am coming up with some awesome sounding riffs on my own.

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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I have NEVER seen material like yours.  Amazing!!
Jerry
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

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