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You are here: Home / Sax Lessons / Sax Articulation / Basic Jazz Articulation for the Saxophone Lesson 2
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Basic Jazz Articulation for the Saxophone Lesson 2

Basic Jazz Articulation for the Saxophone Lesson 2

$9.99

SKU: 119 Category: Sax Articulation Tags: articulation, sax lesson, saxophone, tonguing, video lesson
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Description

If you want to learn how to play jazz saxophone, you can’t afford to overlook this essential lesson. Proper Jazz Articulation is what makes your lines swing. If you’re just beginning to learn to play jazz, or perhaps you’re a self taught player who’s always struggled with getting your playing to sound authentic and convincing, this lesson will set you on the right path.

I start with the very basics and guide you through learning to swing, just as I would if you were sitting in the studio next to me. I talk you through the difference between playing in a classical style and playing swinging jazz. I demonstrate these ideas on my saxophone as I explain them, so you can hear exactly what proper jazz articulation sounds like as you learn to do it too. I talk about the most effective way to tongue, or articulate the notes, to achieve the proper swing feel.

This is a continuation of the “Basic Jazz Articulation” lesson.  I know from experience that it takes many students  quite a few lessons to nail down the concept of jazz articulation.  In this lesson I repeat some of the thoughts from lesson 1 as well as adding some new insights and a fresh perspective to the topic.  I demonstrate on Donna Lee on a Virtuoso tenor sax and JVW STM link.  Practice the ideas in this lesson with my lesson on Improving your Time and Improving your Swing with 2&4 and soon you’ll be playing with that authentic swing feel. (29 minute video)

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Lesson Sample

https://public.neffmusic.com/Basic%20Jazz%20Articulation%20Part%202%20clip.mp4

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Testimonials

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I have NEVER seen material like yours.  Amazing!!
Jerry
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

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