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You are here: Home / Jazz Lessons / Approach Notes / Autumn Leaves-Approach Note Velocity Combinations Lesson
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Autumn Leaves-Approach Note Velocity Combinations Lesson

Autumn Leaves-Approach Note Velocity Combinations Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 402 Category: Approach Notes Tags: approach notes, Autumn Leaves, jazz improvisation, saxophone, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson, I show you how to use my “Approach Note Velocity” book on a tune like “Autumn Leaves”.

I show you how to use the lines in the book in the keys of C Major and A Minor over “Autumn Leaves”.  Learning these lines and approaches can give the improviser a very modern and cool sound to their solos.  Instead of worrying about each chord and change, you can instead play lines in the key center of the tune you are improvising on.  By navigating between C Major and A minor you can create some great lines that sound hip and amazing.

This lesson comes with 2 play alongs for “Autumn Leaves” .  One is at 120 bpm to practice the lines slower and one is at 160bpm to practice them faster.

To get the most out of this lesson you will need my  book “Approach Note Velocity Vol.1 & 2” to get the most out of this lesson as it is not included.

I demonstrate all the lines from the book on the tenor saxophone. (28 Minute Video Lesson)

1 review for Autumn Leaves-Approach Note Velocity Combinations Lesson

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    Rated 5 out of 5

    Hugh – December 3, 2013

    I downloaded your lesson on using approaches over ‘Autumn Leaves’, and have watched it a couple of times. I think this lesson looks great: previously I have been practicing the combination over static chords, but this lesson has the advantage of applying them to IIVs, and makes you practice major and minor combinations together. I can see myself spending a lot of time with this
    .

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For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

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