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Approach Note Freedom Lesson 12

Approach Note Freedom Lesson 12

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 183 Category: Approach Notes Tags: approach notes, jazz improvisation, jazz lines, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In Lesson 12 of the Approach Note Freedom Series, I give you 7 II-V-I patterns to practice in all keys.  These patterns utilize all of the approaches we have used so far in a variety of ways.  This lesson can be a real challenge but if mastered you will gain the ability to weave through II-V-I patterns using all of the approaches so far.  Being able to use approaches in this way is very important if you want to be able to use them in an improvisational setting.  This lesson comes with a one page PDF sheet of the 7 II-V-I patterns.  I demonstrate them all on my tenor sax and a florida link mouthpiece. (Audio & Video)

1 review for Approach Note Freedom Lesson 12

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    Rated 5 out of 5

    Niklas – September 17, 2015

    The material is this lesson is really great.
    About a year ago I started working on simply spelling out the changes while improvising. My goal was to be able to do this in a reasonably fluent way on e.g. Confirmation. I did some little progress, but then not so much happened.
    Then I stumbled on the approach note freedom series and realized that this is probably something that could put me in a better position. I put in a fair number of hours doing just two approaches in all major keys (starting with whole tone below and whole tone above target note) , and also the scale tone above, half tone below really thoroughly. Then I came up with the idea of running through the changes non-stop using the approaches just like introduced in this lesson.
    It was very much fun, and very difficult. Today this is my default way of studying a tune, besides playing it on the piano.
    Just running through the chords or scales on the sax simply doesn’t make the same “impact” compared to running approaches. (Of course this is subjective) The many possible combinations invites you to play e.g. 4 bars again and again in many different ways.

    This lesson presents running approaches over II V I progressions which is of course a more appropriate portion to start with than a whole tune.

    This method is applicable for progressions with varying chord duration and I think it helps you get a better feeling for the harmonic rhythm too.

    Doing this exercise perhaps 25 hours in total on a couple of tunes has helped quite a bit already.

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Lesson Sample

https://public.neffmusic.com/Approach%20Note%20Freedom%20Lesson%2012%20clip.mp4

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

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Robert
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
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