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You are here: Home / Jazz Lessons / Approach Notes / Approach Note Freedom Lesson 12
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Approach Note Freedom Lesson 12

Approach Note Freedom Lesson 12

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 183 Category: Approach Notes Tags: approach notes, jazz improvisation, jazz lines, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In Lesson 12 of the Approach Note Freedom Series, I give you 7 II-V-I patterns to practice in all keys.  These patterns utilize all of the approaches we have used so far in a variety of ways.  This lesson can be a real challenge but if mastered you will gain the ability to weave through II-V-I patterns using all of the approaches so far.  Being able to use approaches in this way is very important if you want to be able to use them in an improvisational setting.  This lesson comes with a one page PDF sheet of the 7 II-V-I patterns.  I demonstrate them all on my tenor sax and a florida link mouthpiece. (Audio & Video)

1 review for Approach Note Freedom Lesson 12

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    Rated 5 out of 5

    Niklas – September 17, 2015

    The material is this lesson is really great.
    About a year ago I started working on simply spelling out the changes while improvising. My goal was to be able to do this in a reasonably fluent way on e.g. Confirmation. I did some little progress, but then not so much happened.
    Then I stumbled on the approach note freedom series and realized that this is probably something that could put me in a better position. I put in a fair number of hours doing just two approaches in all major keys (starting with whole tone below and whole tone above target note) , and also the scale tone above, half tone below really thoroughly. Then I came up with the idea of running through the changes non-stop using the approaches just like introduced in this lesson.
    It was very much fun, and very difficult. Today this is my default way of studying a tune, besides playing it on the piano.
    Just running through the chords or scales on the sax simply doesn’t make the same “impact” compared to running approaches. (Of course this is subjective) The many possible combinations invites you to play e.g. 4 bars again and again in many different ways.

    This lesson presents running approaches over II V I progressions which is of course a more appropriate portion to start with than a whole tune.

    This method is applicable for progressions with varying chord duration and I think it helps you get a better feeling for the harmonic rhythm too.

    Doing this exercise perhaps 25 hours in total on a couple of tunes has helped quite a bit already.

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Lesson Sample

https://public.neffmusic.com/Approach%20Note%20Freedom%20Lesson%2012%20clip.mp4

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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
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