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3625 Lesson 1

3625 Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 414 Category: Chord Studies Tags: chord progression, jazz improvisation, play alongs, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this video lesson, I teach you about the 3625 progression. The 3625 progression is very common in jazz music.  I talk about the importance  it has in jazz music and why you should learn this progression in every key.

I demonstrate the progression on the piano and explain how it is created.  I walk you through the steps to use to practice it in every key.  I also provide you with a play along of the progression in all 12 keys for you to practice to. (35 Minute Video Lesson & 12 Play Alongs)

1 review for 3625 Lesson 1

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    Rated 5 out of 5

    Ron Bull – March 20, 2013

    I was going to ask you for a lesson on these; you must have read my mind. I use this one every day and in combination with your Best Major and minor ii-V patterns, am really starting to nail them. This lesson is helping me with tag endings on standard tunes. Thanks Steve
    Ron Bull

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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I have NEVER seen material like yours.  Amazing!!
Jerry
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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