• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MEMBER’S AREA
    • JOIN
    • FAQ
    • MEMBER LOGIN
    • Member Monthly Lessons
  • RAVES
  • CONTACT
You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece Review

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece Review

October 5, 2022 by Steve 9 Comments

Today, I am reviewing the new Windy City Woodwinds 56 Select alto saxophone mouthpiece.  The 56 Select alto sax mouthpiece is advertised as capturing the warmth and singing quality of the 1950’s “cool school” of alto saxophone playing in the style of Art Pepper, Bud Shank and Paul Desmond.  As someone who listened to a ton of Art Pepper and Paul Desmond when I was in high school (they had a lot of their records at the local library), I was very curious to try this 56 Select alto saxophone mouthpiece by Windy City Woodwinds just to see how “cool” it really was………

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

The Windy City 56 Select alto saxophone mouthpiece is made in partnership with Windy City Woodwinds and Theo Wanne mouthpieces.  Here is a short description of the 56 Select mouthpiece from the Windy City Woodwinds website:

Vintage soul meets the modern age. Designed in collaboration with Dr. Wally Wallace, The 56 Select alto saxophone mouthpiece captures the warmth and singing quality of the 1950s “cool school,” combining retro-cues with cutting edge technology. 1956 was an amazing year for jazz. The emerging west coast “cool school” was reinventing the jazz aesthetic and redefining saxophone tone. Records from Art Pepper, Bud Shank and Paul Desmond revealed the power and romanticism of the alto saxophone, captivating a new generation of jazz listeners. The 56 Select alto saxophone mouthpiece will feature: A gentle rollover baffle that improves response and projection. Straight side walls that extend from a medium chamber, giving added core to your sound. Developed and finished in partnership with Theo Wanne. The 56 Select is made from premium German hard rubber, precision milled on Theo’s state of the art 5-Axis CNC machine. 

The latest iteration of the “56” (both Select and Mark II mouthpieces) were further refined in collaboration with Theo Wanne and Dr. Wally Wallace. Theo Wanne was able to take the design of the original “56” mouthpiece to a new level using his years of facing experience. He was able to keep the integrity of the original design, but simply allow more air to pass making it a more powerful mouthpiece and stronger across the dynamic range that the original “56” provided.

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

I received two 56 Select alto saxophone mouthpieces from Windy City Woodwinds. One was the “56 Select” alto sax mouthpiece that is made of hard rubber and the other was a white 3-D printed “56 Mark II” alto saxophone mouthpiece that has the same design but is almost a third of the price of the hard rubber 56 Select model.  Both have a tip opening of .075.  *I will be reviewing the less expensive 3-D printed 56 Mark II alto sax mouthpiece in a separate review.

Both mouthpieces came well packaged in sturdy white cardboard boxes with “Windy City Woodwinds and the mouthpiece details listed on the outside of each box.  Inside the box, the mouthpieces were well protected with a thick cushion of styrofoam on all sides.

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

The Windy City 56 Select alto saxophone mouthpiece looked great as you would expect a mouthpiece to look when made in collaboration with Theo Wanne.  The mouthpiece is made with premium German hard rubber and has a gold band around the shank that has “Theo Wanne Classic Mouthpieces” engraved into it.  The side of the 56 Select mouthpiece has “56” engraved into the hard rubber and the other side of the mouthpiece has the tip opening of 75 and Select engraved next to the table. The top of the 56 Select alto saxophone mouthpiece has the Windy City Winds logo of “WCW” engraved in gold.

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

The 56 Select alto saxophone mouthpiece has a perfect looking table, rails, tip and baffle profile.  All these elements look even, symmetrical  and beautifully machined.  The tip rail is nice and thin as are the side rails as they head towards the tip.

The baffle is what I would describe as a long gentle rollover baffle.  It looks to be a medium high baffle and its long roll extends all the way to the rear of the medium sized mouthpiece chamber. The opening at the rear of the chamber into the bore has what I would describe as a “horseshoe” shape to it.  This entrance to the bore has a long gradual squeeze because the sidewalls are straight and angle in towards the sides of the “horseshoe” shaped exit to the chamber.

The roof of the chamber is thin where it starts next to the window but then thickens substantially as it heads through the chamber towards the top of the horseshoe.

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

The Windy City 56 Select alto sax mouthpiece played perfectly with the first reed I chose to put on it which was a Rigotti Gold 3 light alto saxophone reed.  I also tried a Boston Sax Shop #3 alto saxophone reed as well as a Roberto’s Winds 3 soft alto saxophone reed and they all played great on the 56 Select mouthpiece. All the alto saxophone reeds lined up perfectly with the curved shape of the mouthpiece tip rail.

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

The Windy City 56 Select alto saxophone mouthpiece had a very cool vibe to it that I really loved.  Dr Wally Wallace describes it as a “cool school” sound and I definitely get that impression from it.  I’ve read a few comments on the 56 Select mouthpiece describing it as “dark”, and I can agree that the 56 Select mouthpiece is darker than many alto mouthpiece out there, but I found the 56 Select alto sax mouthpiece to be rich and complex in tone while being light and incredibly beautiful sounding.  Rather than being described as “dark”, I found it to have a light brightness to the tone reminiscent of Paul Desmond and also Art Pepper (I’m listening to Art Pepper meets The Rhythm Section right now as I type this).

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

I also found the 56 Select tone to have a crispness to it that I really loved. The high notes were crisp and singing.  The tone was focused which made the vibrato very tangible and colorful in my opinion.  I loved the lightness of tone of this mouthpiece which is most definitely “cool”.  So many mouthpieces these days are fighting for the top spot for power and brightness and here comes strolling along the Windy City 56 Select alto mouthpiece being all light, crisp and beautifully flirtatious.  Is that not that the definition of “cool”?

The other side highlight of this crispness in tone is the articulation of the 56 Select.  The 56 Select alto sax mouthpiece articulated very cleanly and crisply BUT at the same time very smoothly.  I keep coming back to that “cool school” description and can’t help but think that the 56 Select alto sax mouthpiece is so cool, that it can articulate incredibly cleanly and crisply while still being so incredibly smooth while doing it.  It’s like imagining someone playing pool while simultaneously drinking a martini and still looking cool doing it.  Can’t be done, you say.  Well, maybe you are just not cool enough……. Yeah, that is “cool school”.

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

The intonation on the Windy City 56 Select alto sax mouthpiece was excellent and the range of the horn was even and uniform from note to note making playing fast lines very smooth and even.

The other aspect of the 56 Select that I really appreciated was how focused it sounds.  It is light in tone, but that tone is beautifully focused.  I think this has to do with that horseshoe shaped opening and how the air is funneled into that smaller opening in a squeeze that occurs from the top, bottom and side walls.  I like to imagine the sound being compressed and focused as the player blows.  This tight ball of sound is somehow both focused and concentrated, yet also light and floating.

Right now, as I type this, I am listening to the sound clip below and I really think the windy City 56 Select sounds amazing on this clip (Yes, I’m biased…..).  I could point out so many places in the sound clip where my first thought is “Wow, beautiful!”.

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece

In my opinion, the Windy City 56 Select alto saxophone mouthpiece is a great hard rubber alto saxophone mouthpiece for those looking for an alto saxophone tone with a light, singing resonance to it that is full of rich overtones and beautiful harmonics that the listener can’t help but be mesmerized by.

I’m pretty sure Art Pepper and Paul Desmond would totally dig this mouthpiece.   I can’t guarantee it, but I’m thinking the 56 Select alto sax mouthpiece would be right up their alley if they were still alive.

Great job to Dr. Wally Wallace, Kevin Braner, Matt Braner and Neil Xu at Windy City Winds, as well as Theo Wanne for developing and creating a very “cool” sounding alto saxophone mouthpiece.

If you like the sound and look of the  Windy City 56 Select alto saxophone mouthpiece, you can find them for sale at the Windy City website.  After you check out my sound clip below, check out Dr. Wally Wallace’s informative video on the 56 Select mouthpiece below.  Dr. Wallace captures the many descriptive words in my review so well at the 4:43 mark in the video.

If you are lucky enough to play a Windy City 56 Select alto saxophone mouthpiece or have any other thoughts or comments, I would love to hear what you think in the comments below.    Thanks,   Steve

https://cdn.neffmusic.com/2022/WC56Select.mp3

Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece – Rigotti Gold 3 Light Reed

Video of Dr. Wally Wallace demonstrating the Windy City Woodwinds 56 Select Alto Saxophone Mouthpiece. I especially love the sweet alto sax tone at the 4:43 mark in the video! So beautiful!

Disclosure: I received the sample mouthpieces reviewed above for free in the hope that I would try it and perhaps review it on my blog.  Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also. Steve

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: 56 Select, Alto Saxophone, Art Pepper, cool school, Dr. Wally Wallace, hard rubber, Paul Desmond, review, sax mouthpiece, Theo Wanne, Windy City

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarTony says

    October 6, 2022 at 6:58 am

    That sound!! I have the original 3D printed one. It’s my favorite. I would be curious to try these newer ones as well. That’s the best sound for alto saxophone in my opinion. I’ve never been a fan of the bright powerful pop players. Cannonball is bright enough for me on a Meyer.

    Reply
  2. AvatarRandall Closson says

    October 6, 2022 at 4:59 pm

    Beautiful sound and excellent playing as always. I know you haven’t reviewed the Mark II version yet, but that is the one I am planning on ordering as it fits my budget. Hoping I can get similar results.

    Reply
  3. AvatarSteve Keller says

    October 6, 2022 at 6:46 pm

    Wow Steve, you sound great on that thing. Have you ever played a Gregory (MC Gregory) mouthpiece? I had one long ago that broke, and I’ve never found a replacement, though I’m incredibly happy with my 10MFan Alto Madness. This is the first time I’ve been tempted to buy a new mouthpiece for a long time. And you are right about Dr. Wally’s playing at 4:43 – echoes of Desmond!

    Reply
    • SteveSteve says

      October 10, 2022 at 8:59 am

      Thanks! No, I have never played a MC Gregory alto mouthpiece. I haven’t played a 10mFan Alto Madness either……

      Reply
      • AvatarDan says

        May 1, 2023 at 5:05 pm

        Does anyone know anything about the WCW bright alto mouthpiece? I cant seem to find any reviews on it. Thanks!

        Reply
        • SteveSteve says

          May 2, 2023 at 8:17 am

          Hi Dan, I haven’t even heard of the bright model Windy City alto mouthpiece. Hopefully someone will stop by to give us more details about it that has played it. Steve

          Reply
  4. AvatarGiuseppe C. says

    October 15, 2022 at 12:34 pm

    Hi Steve,
    Do you plan to review the tenor model of this beautiful mouthpiece too?
    Giuseppe.

    Reply
    • SteveSteve says

      October 15, 2022 at 2:40 pm

      No plans right now but if Windy City Woodwinds is interested in having me review one I am up for it……..

      Reply
  5. AvatarGiuseppe C. says

    October 15, 2022 at 12:38 pm

    If, you were to review the tenor model, please do it for the model in hard rubber!
    Thanks,
    Giuseppe.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99
  • The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!
BECOME A MEMBER TODAY AND SAVE BIG ON EACH LESSON!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Lloyd Whitty
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Murray Middleman
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Paul

Footer

Recent Comments

  • Steve on 10mFan Supernova Alto Saxophone Mouthpiece Review
  • Vicente Serna on 10mFan Supernova Alto Saxophone Mouthpiece Review
  • Giuseppe C. on Retro Revival Modern Line Cutting Edge Tenor Saxophone Mouthpiece Review
  • Felipe on Ted Klum London Model Tenor Saxophone Mouthpiece Review
  • Safwat Rouf on Drake FG (Freddie Gregory) Model Tenor Saxophone Mouthpiece Review

Top rated products

  • The Style of Michael Brecker-Lesson 2
    Rated 5.00 out of 5
    $9.99
  • Developing Relative Pitch-Lesson 3
    Rated 5.00 out of 5
    $9.99
  • Mastering Major Diatonic Patterns (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering The Dominant Bebop Scale Lesson 1
    Rated 5.00 out of 5
    $9.99
  • In A Mellow Tone Dominant Bebop Solo Lesson
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2023