• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Drake Stubbie Tenor Saxophone Mouthpiece

Drake Stubbie Tenor Saxophone Mouthpiece

August 20, 2013 by Steve 16 Comments

Today I am reviewing another great Aaron Drake mouthpiece called the “Stubbie”.  It is modeled after the Dukoff  “Stubbie” model from the 1950’s.  I don’t know much about the Dukoff  “Stubbies” and have never played one as of yet.  I’ll leave any facts about the original “Stubbie” model to the mouthpiece “gurus” and collectors out there……….If you want to add any facts about them in the comments below…..feel free. (like, are they the same as Dukoff Hollywood mouthpieces…….?)

Disclaimer:  Before I go any further in this review I want to first state that the Drake mouthpiece website states that these Drake metal mouthpieces are no longer being made as of the date of this review. 

Drake Stubbie Tenor Saxophone Mouthpiece

This Drake “Stubbie” is one that a friend on SOTW has sent me to try.  It is in “used” condition with slight scratches on the body of the mouthpiece due to ligature use.  The table, rails, tip and baffle look in great condition.  The baffle descends into an extra larger chamber which is similar in size to some NY link chambers I have seen.  (Not as big as the Theo Wanne large chambered mouthpieces).  The siderails are very scooped out as they lead into the extra large chamber.  The roof  of the chamber is nice and thin.  A larger chamber typically gives a mouthpiece a “fatter” warmer sound in my experience.  When you balance the chamber with the right amount of baffle you can get a  very fat full sound that is still powerful and focused………….

Drake Stubbie Tenor Saxophone Mouthpiece

The tip opening on this “Stubbie” model is a 7.  It is slightly more closed than my normal 7* tip openings.   The mouthpiece played easily with a Rigotti Gold 3 medium reed.  The low notes were warm and full sounding.  I felt the sound was more focused than I had expected with the extra large chamber but still had a nice “fluffy”spread to the sound.  It was great mouthpiece to sub-tone on!  The higher register got brighter if I blew harder.  Because it was a 7 tip, I felt like I could only get so much air through the mouthpiece.  Even so, I could still get some nice volume out of it……(just not as much as I usually can from a 7* or 8 tip opening.)

Drake Stubbie Tenor Saxophone Mouthpiece

These are Aaron’s own words on the metal “Stubbie” tenor saxophone mouthpiece from Drakemouthpieces.com:

“For several years now I have had this mouthpiece in mind.  After going through multiple prototypes and a lot of experimentation, it is finally ready.  There is something about the classic combination of the design elements that makes this a very special mouthpiece.  I hope you feel the same way when you play one. “

– Aaron Drake

This classic vintage design is modeled after the highly desirable “Stubbies” from the 1950’s.  This mouthpiece features very deep undercutting on the side walls and a  large chamber.   Couple this with a medium high rollover baffle and a classic tapered window design, and you have the recipe for a killer piece! Wonderfully free blowing and brilliantly responsive from the bottom to the top of the horn.

These handmade mouthpieces are made from a one piece casting technique, and are finished entirely by hand..

Each mouthpiece is finished in 24K gold plate and includes a Rovner L3 cap and ligature.

Drake Stubbie Tenor Saxophone Mouthpiece

This is another great mouthpiece that leans to the darker side of the tone spectrum.  The reeds I used on it were brighter sounding Rigotti reeds but I would imagine that using darker Rico Select Jazz reeds would give you an even  darker, warmer tone.

If you are interested in the Drake “Stubbie” tenor saxophone mouthpiece contact Aaron Drake at Drakemouthpieces.com.  Like I stated in the disclaimer above: these aren’t being made by Mr. Drake anymore  so you might have to beg or bribe him to get one for yourself………..

Let me know what you think in the comments below………….Thanks, Steve

Drake Stubbie Tenor Saxophone Mouthpiece

https://public.neffmusic.com/DrakeStubbieFinal.mp3

Drake Stubbie Tenor Saxophone Mouthpiece

 

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: aaron drake, Dukoff, sax mouthpiece, stubbie, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarJerry Bailey says

    November 14, 2013 at 10:56 am

    Where can i get one of these Drake Stubbie tenor mouthpieces

    Reply
    • stevesteve says

      November 14, 2013 at 11:27 am

      Jerry, I don’t believe they are made anymore. You would have to ask Aaron Drake about them. Other than that I think you would have to find one used on ebay or SOTW. Steve

      Reply
  2. AvatarAxel Koch says

    November 18, 2013 at 3:35 pm

    Probably there will be one on the http://www.saxophonforum.de in “Kleinanzeigen” within short time.

    keep swingin´

    Axel Koch

    Reply
  3. AvatarWalter Ruckdeschel says

    November 27, 2013 at 3:57 am

    Hi Jerry,

    Aaron doesn’t make any metal pieces any more since some months. I have a Stubbie 8, rhodium-replated by Morgan Fry (so a really nice and unique piece of art). And maybe I’ll sell it one day. Did You try one?

    Walter

    Reply
    • stevesteve says

      November 27, 2013 at 3:10 pm

      Walter and Jerry,
      I emailed Aaron about the metal pieces and this is what he said
      “I am working on relaunching the metal tenor pieces – hopefully next year sometime. We had some issues with the plating and decided it would be best to pause the production until I had the time to sort it out.”

      Hopefully Aaron will have them in production again soon…………..

      Reply
    • AvatarJace Rios says

      December 16, 2021 at 5:41 pm

      Would you consider selling that rhodium plated drake 8 mouthpiece?

      Reply
      • SteveSteve says

        December 16, 2021 at 9:06 pm

        Hi Jace, Unfortunately, the Drake Stubbie was borrowed from a friend for this review and I had to send it back shortly after finishing the review. Steve

        Reply
      • Avatarwalt says

        December 17, 2021 at 3:08 am

        Hi, I sold it some years ago – sorry for that for myself… But Aaron Drakes makes them again.

        Reply
  4. AvatarLeo says

    March 29, 2016 at 1:40 pm

    Hi Jerry and Axel,
    I have a new Drake Stubbie 7*, bought only a few weeks ago. It’s been replated by the saxshopowner because the lacquer comes off easily.
    I consider selling because the tip is too small for me. Since it’s new it goes for a ‘new’ price.
    Let me know if you are interested

    Reply
  5. AvatarSergey says

    March 30, 2016 at 4:36 am

    Hi Leo,I want to buy you this mouthpiece (Drake Stubbie 7*), write me an email: Sergio1451@Yandex.ru,
    and send photo. Thank you in advance . Sergey

    Reply
  6. AvatarLeo says

    April 9, 2016 at 5:46 am

    Hello Walter,
    What did the rhodium do with the sound of your Stubbie?
    And is it for sale? If so, what’s the tip size?

    Reply
  7. AvatarAdam says

    February 20, 2019 at 8:01 pm

    Aaron just posted (a few days ago on his Facebook stories) that he’s making metals again. This piece is available on his website, I don’t know if he’s gonna make any other metals or not.

    If you can remember, Steve, how do you did you feel about this piece as opposed to, say, the Robusto? Showtime?

    Sounds great as always!

    Reply
    • SteveSteve says

      February 21, 2019 at 11:55 pm

      Adam, Unfortunately, I don’t really remember the specifics of how it played. I remember I liked it a lot but that is about it. Sorry. Steve

      Reply
  8. AvatarAndrew says

    February 25, 2019 at 5:34 pm

    Best mouthpiece I’ve heard on here. A smaller opening and harder reed would have been good to hear.

    Reply
  9. AvatarGiuseppe says

    February 26, 2019 at 1:47 pm

    I agree with you Andrew; in fact before he was stolen along with his Conn, Dexter Gordon used a Dukoff, of another type, probably 0.080 tip opening, from which came a sound that, perhaps, I prefer to what he had later with Selmer Mark VI bought by Don Byas, if I remember correctly, coupled with Ottolink metal mouthpiece!
    So even I would be curious to hear what sound comes from a smaller tip opening with a harder reed …
    Of course these are just technical details: each conformation of head and mouth responds differently with the mouthpieces and, what matters, is “the thought” of those who play! Every good musician, like Steve, “any” mouthpiece uses makes it always seem like the best existing mouthpiece!
    If you listen to the records of the masters of jazz, these, on each disc, have a relatively different sound from the other, but you always say: “this is the sound of …”.
    But I’m writing something that you all already know …

    Reply
  10. AvatarFrancesco says

    November 25, 2023 at 12:41 pm

    io ho 2 dukoff stubbie originali, apertura 5 , uno dei 2 h un sottile strato di mastice sul tetto per renderlo un po’ più luminoso, lavoro fatto d j. Riley, fcilmente movibile, ma a me piace così. sono straordinari , anni 50 credo, ne venderei uno .

    Translation: I have 2 original dukoff stubbies, opening 5, one of the 2 has a thin layer of putty on the roof to make it a little brighter, job done d j. Riley, easily movable, but I like it that way. they are extraordinary, 50s I think, I would sell one.

    Reply

Leave a Reply to Sergey Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I have NEVER seen material like yours.  Amazing!!
Jerry
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Jack Tyler on The Boston Sax Shop Red Label Custom Tenor Saxophone Reeds Review
  • Manas on Rico Metalite M7 and M9 Tenor Saxophone Mouthpiece Review
  • Steve on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Johnny Hedlund on Les Becs d’Autan MB1 Pilgrimage Tenor Saxophone Mouthpiece Review
  • Bart on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025