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You are here: Home / Jazz Lessons / Blues Scales / Using the Blues Scale Part 1
Using the Blues Scale Part 1

Using the Blues Scale Part 1

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 156 Category: Blues Scales Tags: blues scale, dominant chords, minor chords, steve neff
  • Description
  • Reviews (3)
  • Lesson Sample

Description

Using the Blues Scale-Part 1.  I always tell my students that all they need to know to get a gig is their blues scales.  They always think I’m joking and that there is no way it can be that easy but the truth is that 90-95% of today’s songs are in one key.  The band vamps and plays the same groove and key for the whole song.  The person that can stand up and play an authortative solo using the blues scale is the one who will get the gig.   Unfortunately, most of the young players today don’t really know their blues scales like they should.  Sure, they all say that they do but then when I have them play a solo using one it is usually dead, lifeless and uncreative.  The problem is that most young people today are given advice to use a blues scale on this solo or that solo but then no one ever shows them how to use it.  They are just given the scale and told to improvise.

In this lesson I take on the job of showing you exactly how to use each note of the blues scale over major,minor and dominant grooves. In Part 1, I talk in depth about how to use the blues scale over dominant chords and major 7th chords.   I teach about each individual note of the scale and how it relates to the chord behind it.  I also talk in depth about what I feel are the tendencies of each note and tactics that I use when playing the blues scale over static backgrounds and chords.  Part 1 is mainly focused on using the A blues scale over a C7 chord as well as the added notes of Bb and F.  I demonstrate all of these sounds on the tenor sax with a background track playing behind me so you can hear how these ideas sound to the music.  Listen to these 3 lesson on the blues scale, practice like crazy and I’ll see you out there on a gig one of these days!  Enjoy! (31 minute video lesson)

3 reviews for Using the Blues Scale Part 1

  1. Avatar
    Rated 5 out of 5

    Sam K (verified owner) – August 24, 2009

    I really enjoyed your lesson on the blues. I have never heard of using the 6th degree blues over the 1st degree blues. Ex: E over G blues. It is smoother sounding and when using the combination of both blues scales, it has given me so much more flexibility, ideas, and options while soloing over the blues changes. Over time I would like to purchase your entire collection!
    Thanks a million!!

  2. Avatar
    Rated 5 out of 5

    Anar (verified owner) – January 22, 2010

    This single lesson has improved my playing more than anything I have ever learned. I feel like I’ve had a revelation. I was shown the blues scale years ago but now I feel like I can actually hear it and know how to use it in soloing. Steve does a fantastic job of breaking down every note of the blues scale and explaining the character of each tone and based on this how to use each tone to good effect in solos. To my amazement, all of a sudden I can play lines which sound good! I have had several teachers, but none have taken this approach to explaining the blues, and I cannot understand why. I fully recommend this lesson to anyone who’d like to learn to play the blues!

  3. Avatar
    Rated 5 out of 5

    James (verified owner) – March 26, 2011

    I am trying to broaden my blues vocabulary so that I have more ideas to draw from on jazz blues and r&b tunes. This lesson, the first video lesson I bought, was extremely clear and helpful, and will forever change the way I play music. Steve dissects the scale note by note, and provides a handy cheat sheet with blues scales written out in every key. After this lesson I spent the next two hours digging into All Blues, Blue Monk, and Cousin Mary and could feel all kinds of new melodic paths through the scale.

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Lesson Sample

https://public.neffmusic.com/Using%20the%20Blues%20Scale%20Part%201%20(Video)%20clip.mp4

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Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I have NEVER seen material like yours.  Amazing!!
Jerry

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

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