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The Secret to Fast Jazz Articulation Lesson

The Secret to Fast Jazz Articulation Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 121 Category: Sax Tone Tags: jazz articulation, jazz sax, saxophone, tonguing, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I reveal what is an amazing tip for fast jazz articulation. I am excited about this lesson because What I talk about in it is something that I recently discovered that I did while articulating fast jazz phrases. I talk in depth about what is called “Ghost Tonguing” and how it helps me to tongue and articulate fast jazz passages.  (Video & Audio)

1 review for The Secret to Fast Jazz Articulation Lesson

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    Rated 5 out of 5

    Ken Tyler – November 11, 2011

    Hi there Steve, I downloaded this video some time ago when I was working on my basic articulation. I found the Basic Jazz Articulation lessons really helpful at that time but its taken me a long time to really integrate those skills. Now that my basic articulation is improving I noticed that my bebop lines were sounding really clunky. This was the missing link! It’s a very powerful technique with loads of applications and it’s starting to help my lines sound better all over again. I find it difficult to do – when I think about it, everything else goes haywire but when I don’t think about it I forget to do it! Basic bebop themes are starting to sound right now – still not there but sounding more fluent. Like you, I noticed that I was already doing it without realizing on some tunes I know really well. I couldn’t find anything on ghost tonguing at all on the web, then this came up and I realized I already had it. It was too soon before for me to appreciate but now I realize what a great lesson this is. Thanks a lot for all your lessons and continuing inspiration – you’re a genius man!

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Lesson Sample

https://public.neffmusic.com/The%20Secret%20to%20Fast%20Jazz%20Articulation%20clip.mp4

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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