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The Secret to Fast Jazz Articulation Lesson

The Secret to Fast Jazz Articulation Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 121 Category: Sax Tone Tags: jazz articulation, jazz sax, saxophone, tonguing, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I reveal what is an amazing tip for fast jazz articulation. I am excited about this lesson because What I talk about in it is something that I recently discovered that I did while articulating fast jazz phrases. I talk in depth about what is called “Ghost Tonguing” and how it helps me to tongue and articulate fast jazz passages.  (Video & Audio)

1 review for The Secret to Fast Jazz Articulation Lesson

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    Rated 5 out of 5

    Ken Tyler – November 11, 2011

    Hi there Steve, I downloaded this video some time ago when I was working on my basic articulation. I found the Basic Jazz Articulation lessons really helpful at that time but its taken me a long time to really integrate those skills. Now that my basic articulation is improving I noticed that my bebop lines were sounding really clunky. This was the missing link! It’s a very powerful technique with loads of applications and it’s starting to help my lines sound better all over again. I find it difficult to do – when I think about it, everything else goes haywire but when I don’t think about it I forget to do it! Basic bebop themes are starting to sound right now – still not there but sounding more fluent. Like you, I noticed that I was already doing it without realizing on some tunes I know really well. I couldn’t find anything on ghost tonguing at all on the web, then this came up and I realized I already had it. It was too soon before for me to appreciate but now I realize what a great lesson this is. Thanks a lot for all your lessons and continuing inspiration – you’re a genius man!

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Lesson Sample

https://public.neffmusic.com/The%20Secret%20to%20Fast%20Jazz%20Articulation%20clip.mp4

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Testimonials

First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I have NEVER seen material like yours.  Amazing!!
Jerry

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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