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You are here: Home / Jazz Lessons / Scale Studies / The Diminished Scale: Lesson 1
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The Diminished Scale: Lesson 1

The Diminished Scale: Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 045 Category: Scale Studies Tags: diminished scale, jazz improvisation, jazz theory, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

The Diminished Scale is a fantastic sound that provides endless opportunities to the jazz musician. This is the scale that defined the post bebop era and is now an integral part of the jazz language. In this first introductory lesson on The Diminished scale, I teach you the 3 diminished Scales and show you how to utilize them over both diminished and dominant chords. I discuss various ways of conceptualizing the Diminished Scale, so that you can move on past simply trying to understand the scale and start getting this fantastic sound under your fingers and into your playing. I explain and demonstrate how the three Diminished Scales can be played in a variety of ways, from the patterns that all players utilize, to a more intervallic approach that will make sure you need never sound cliched.
I explain and play numerous examples for you as I discuss how I practice these scales over the different chords and use them on tunes. I show you how you can start to really get these scales down and how, by doing so, the whole language of modern jazz starts to make a lot more sense. When you understand and become proficient with the Diminished scale, all those Bird, Stitt and Coltrane solos start to make so much more sense. A command of the Diminished Scale will give your playing that hip, more mature sound you hear from all the great players. This lesson comes with a PDF sheet that includes the three Diminished Scales, as well as the various patterns and progressions I demonstrate. There’s enough material here to get you started and keep you going for quite a while as you discover a whole new world of sound.  (Audio & PDF)

2 reviews for The Diminished Scale: Lesson 1

  1. Avatar
    Rated 5 out of 5

    C.N. – April 4, 2009

    Steve! I have never been able to understand and get a hold of the diminished scale. Until now! Once again, your explanation, demonstrations, and pdf. file has cleared the way for me to develop my use of the diminished scale. You have the gift of Outstanding Performance and Superb Instruction! Thank you Steve! C.N.

  2. Avatar
    Rated 5 out of 5

    Jay Richardson – December 10, 2009

    Steve, I’ve purchased four of your lessons and have thoroughly enjoyed and learned from them. My schedule is hectic, but I’m able to listen to them while I travel and I’m about to order another. So far I’ve purchased:
    – II V I Licks
    – 1 Bar blues
    – Triadic Pairs 2×2 (Maj & min)
    – Diminished Scales

    Great stuff please keep it up!

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Lesson Sample

https://public.neffmusic.com/Diminished%20Scale%20Lesson%201%20clip.mp4

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

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Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

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