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Simple Melodic Concept to Improvise with Scales Lesson

Simple Melodic Concept to Improvise with Scales Lesson

Rated 3.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Categories: Jazz Lessons, Scale Studies Tags: jazz improvisation, melodic, scales, tenor saxophone, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this new lesson entitled “Simple Melodic Concept to Improvise with Scales Lesson”, I introduce you to a concept I teach to beginning to intermediate improvisers to get them started with melodic material.  This is a great lesson that will  get a student using the notes from a scale in a melodic way that they can build off of.  Although this is a simple concept in theory, the material can be used in countless ways while improvising.  Once the student masters this first melodic concept they can use it as a foundation to build further melodic concepts off of.

The lesson comes with a PDF of the examples in C as well as multiple play-alongs to practice to. Three are a play-along of ii-7-V7-IMaj7 progression in all 12 keys at three different speeds.  There are also three other play-alongs which go through the Dominant 7th, Major 7th and Minor 7th chords around the cycle of fifths.

I demonstrate the concepts in this lesson on the soprano saxophone to chords played on the piano as well as to the provided play-along tracks. (4 PDFs of chord progressions to practice to, 6 play-along tracks to practice the material with, a PDF of the concept written out in C Major, 36 Minute Video Lesson)

1 review for Simple Melodic Concept to Improvise with Scales Lesson

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    Rated 3 out of 5

    Jade (verified owner) – March 8, 2019

    Nice concept indeed to start to improvise, that’s good stuff to work on, especially for beginners. Could have been nice to show the concept at work not only on the cycle of V, but also over a real tune, such as Autumn Leaves for ex. I think it would help to understand even more clearly the key concept and how to work this it, and how it sounds !

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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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I have NEVER seen material like yours.  Amazing!!
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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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