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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-Shifting Pentatonics Lesson
Playing Outside-Shifting Pentatonics Lesson

Playing Outside-Shifting Pentatonics Lesson

Rated 4.50 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 098 Category: Modern Improv Tags: jazz improv, pentatonics, playing outside the changes, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

In this lesson I introduce a method I use with students to shift in and out of a tonality by shifting to a different pentatonic in the 4th measure of a phrase. I talk about 2 pentatonics I use often to take a line “outside” a minor tonality as well as two pentatonics I use for “inside” playing to give you more options. I talk in depth about how to practice the material as well as demonstrating everything to a play along on my tenor sax. To get the most out of this lesson I suggest you study the other pentatonic lessons first as I will be dealing with the scales I taught in those lessons.  (Video)

 

2 reviews for Playing Outside-Shifting Pentatonics Lesson

  1. Avatar
    Rated 5 out of 5

    Nigel – February 6, 2011

    This lesson is worth its weight in gold! I had already been using shifted pentatonics for a few years. However, 20 minutes of this lesson has really blown the lid off the whole idea for me and moved me so much further forward than my previous years of experimenting. Steve makes the color, tension and excitement of playing outside immediately accessible, by taking relatively simple ideas and demonstrating how to implement them with rhythm, style and conviction in a way that rubs straight off on to the listener. What I particularly like is that the lesson has changed both the way I think, and how I hear a number of notes within a given key. The result of the lesson is not that I am trying to remember a particular pentatonic scale, but that my mental map of how sounds fit together has radically changed, so when I’m improvising now I’m hearing new notes and placing them effectively in to solo lines, whereas before, I would have been avoiding them or simply deaf to their possibilities. Steve is doing much more than teaching a few tricks to make you sound good, he takes time to explain the ideas and encourages you to use them to find your own voice.

  2. Avatar
    Rated 4 out of 5

    Blease (verified owner) – August 14, 2015

    The lesson is good especially for this money – fits the LESSON DESCRIPTION (but nothing more), I add this comment because I’ve bought this lesson because of Nigel’s Review which is much much over-exaggerated.. The content of this lesson don’t dig up nothing new what you can find for free on the topic of modern impro with outside playing on youtube… Anyway Neff keep it up 🙂 I give You 4/5 stars

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Lesson Sample

https://public.neffmusic.com/Playing%20Outside-Shifting%20Pentatonics%20clip.mp4

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Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I have NEVER seen material like yours.  Amazing!!
Jerry
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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