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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-Shifting Pentatonics Lesson
Playing Outside-Shifting Pentatonics Lesson

Playing Outside-Shifting Pentatonics Lesson

Rated 4.50 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 098 Category: Modern Improv Tags: jazz improv, pentatonics, playing outside the changes, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

In this lesson I introduce a method I use with students to shift in and out of a tonality by shifting to a different pentatonic in the 4th measure of a phrase. I talk about 2 pentatonics I use often to take a line “outside” a minor tonality as well as two pentatonics I use for “inside” playing to give you more options. I talk in depth about how to practice the material as well as demonstrating everything to a play along on my tenor sax. To get the most out of this lesson I suggest you study the other pentatonic lessons first as I will be dealing with the scales I taught in those lessons.  (Video)

 

2 reviews for Playing Outside-Shifting Pentatonics Lesson

  1. Avatar
    Rated 5 out of 5

    Nigel – February 6, 2011

    This lesson is worth its weight in gold! I had already been using shifted pentatonics for a few years. However, 20 minutes of this lesson has really blown the lid off the whole idea for me and moved me so much further forward than my previous years of experimenting. Steve makes the color, tension and excitement of playing outside immediately accessible, by taking relatively simple ideas and demonstrating how to implement them with rhythm, style and conviction in a way that rubs straight off on to the listener. What I particularly like is that the lesson has changed both the way I think, and how I hear a number of notes within a given key. The result of the lesson is not that I am trying to remember a particular pentatonic scale, but that my mental map of how sounds fit together has radically changed, so when I’m improvising now I’m hearing new notes and placing them effectively in to solo lines, whereas before, I would have been avoiding them or simply deaf to their possibilities. Steve is doing much more than teaching a few tricks to make you sound good, he takes time to explain the ideas and encourages you to use them to find your own voice.

  2. Avatar
    Rated 4 out of 5

    Blease (verified owner) – August 14, 2015

    The lesson is good especially for this money – fits the LESSON DESCRIPTION (but nothing more), I add this comment because I’ve bought this lesson because of Nigel’s Review which is much much over-exaggerated.. The content of this lesson don’t dig up nothing new what you can find for free on the topic of modern impro with outside playing on youtube… Anyway Neff keep it up 🙂 I give You 4/5 stars

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Lesson Sample

https://public.neffmusic.com/Playing%20Outside-Shifting%20Pentatonics%20clip.mp4

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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

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Mark Peotter

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

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