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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-NEW Altered Pentatonics Lesson 2
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Playing Outside-NEW Altered Pentatonics Lesson 2

Playing Outside-NEW Altered Pentatonics Lesson 2

$9.99

Category: Modern Improv Tags: altered pentatonics, improvising, jazz improvisation, saxophone, video lesson
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Description

In this lesson, we are taking a more in-depth look at the use of altered pentatonics to play “outside” a key center.   I made a lesson many years ago that was called “Playing Outside-Altered Pentatonic-One Degree of Separation” that looked at 5 altered pentatonic scales and how we could use them to play “Outside” on a minor tonality.

In this series of lessons, we take another look at those 5 original altered pentatonics but also look at 7 more altered pentatonics.  I demonstrate using them over a groove in D minor (C concert) as I apply the altered pentatonics to them on the soprano saxophone.  I teach you the importance of getting the scales down but also of hearing the altered notes and how they sound against the minor chords. I teach how to resolve the notes and demonstrate weaving back and forth between the altered pentatonic scale and the home base scale of D minor pentatonic.  

This is a great lesson if you struggle with adding variety and “outside” lines to your favorite minor grooves. Mastering these altered pentatonics will give you access to a range of sounds that will make other musicians ask what you were playing and thinking on your last solo……..

(Video Lesson, PDF of two altered pentatonic patterns in D minor)

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Lesson Sample

https://public.neffmusic.com/Playing_Outside-NEW_Altered_Pentatonics_Lesson_2_Clip.mp4

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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I have NEVER seen material like yours.  Amazing!!
Jerry
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

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