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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-Chromaticism 1 Lesson
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Playing Outside-Chromaticism 1 Lesson

Playing Outside-Chromaticism 1 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 029 Category: Modern Improv Tags: audio lesson, chromatic lines, jazz improvisation, playing outside, saxophone
  • Description
  • Reviews (1)
  • Lesson Sample

Description

This is the first of many lessons that will deal with playing outside of the chord changes. In this lesson I talk about using some simple chromatic patterns to create lines that create a modern “outside”sound to your solos. I teach how to practice these lines and also how to play them so they don’t sound contrived and lame. This lesson just deals with playing over a static modal sound like E minor. I demonstrate all the patterns on my tenor using a BP NY Link .108 with a custom baffle. this lesson comes with a pdf sheet of the 4 chromatic patterns used and 3 examples of how to use them.  (Audio & PDF)

1 review for Playing Outside-Chromaticism 1 Lesson

  1. Avatar
    Rated 5 out of 5

    TootSweet – July 20, 2009

    Switching from inside to outside playing is not easy for me, it just doesn’t sound natural or relaxed. One of the reasons is that I tend to play to complicated lines.

    Steve’s lesson showed me how you can play outside by inserting simple chromatic patterns. This makes it easier and more natural for me.

    Steve’s lessons typically start with a simple, but effective concept and progress step for step and in a logical way. He’s a great teacher.

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Lesson Sample

https://public.neffmusic.com/Playing%20Outside-Chromaticism%201%20clip.mp4

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Testimonials

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

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