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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-Chromaticism 1 Lesson
Playing Outside-Chromaticism 1 Lesson

Playing Outside-Chromaticism 1 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 029 Category: Modern Improv Tags: audio lesson, chromatic lines, jazz improvisation, playing outside, saxophone
  • Description
  • Reviews (1)
  • Lesson Sample

Description

This is the first of many lessons that will deal with playing outside of the chord changes. In this lesson I talk about using some simple chromatic patterns to create lines that create a modern “outside”sound to your solos. I teach how to practice these lines and also how to play them so they don’t sound contrived and lame. This lesson just deals with playing over a static modal sound like E minor. I demonstrate all the patterns on my tenor using a BP NY Link .108 with a custom baffle. this lesson comes with a pdf sheet of the 4 chromatic patterns used and 3 examples of how to use them.  (Audio & PDF)

1 review for Playing Outside-Chromaticism 1 Lesson

  1. Avatar
    Rated 5 out of 5

    TootSweet – July 20, 2009

    Switching from inside to outside playing is not easy for me, it just doesn’t sound natural or relaxed. One of the reasons is that I tend to play to complicated lines.

    Steve’s lesson showed me how you can play outside by inserting simple chromatic patterns. This makes it easier and more natural for me.

    Steve’s lessons typically start with a simple, but effective concept and progress step for step and in a logical way. He’s a great teacher.

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Lesson Sample

https://public.neffmusic.com/Playing%20Outside-Chromaticism%201%20clip.mp4

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I have NEVER seen material like yours.  Amazing!!
Jerry
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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