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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-Chromaticism 1 Lesson
Playing Outside-Chromaticism 1 Lesson

Playing Outside-Chromaticism 1 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 029 Category: Modern Improv Tags: audio lesson, chromatic lines, jazz improvisation, playing outside, saxophone
  • Description
  • Reviews (1)
  • Lesson Sample

Description

This is the first of many lessons that will deal with playing outside of the chord changes. In this lesson I talk about using some simple chromatic patterns to create lines that create a modern “outside”sound to your solos. I teach how to practice these lines and also how to play them so they don’t sound contrived and lame. This lesson just deals with playing over a static modal sound like E minor. I demonstrate all the patterns on my tenor using a BP NY Link .108 with a custom baffle. this lesson comes with a pdf sheet of the 4 chromatic patterns used and 3 examples of how to use them.  (Audio & PDF)

1 review for Playing Outside-Chromaticism 1 Lesson

  1. Avatar
    Rated 5 out of 5

    TootSweet – July 20, 2009

    Switching from inside to outside playing is not easy for me, it just doesn’t sound natural or relaxed. One of the reasons is that I tend to play to complicated lines.

    Steve’s lesson showed me how you can play outside by inserting simple chromatic patterns. This makes it easier and more natural for me.

    Steve’s lessons typically start with a simple, but effective concept and progress step for step and in a logical way. He’s a great teacher.

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Lesson Sample

https://public.neffmusic.com/Playing%20Outside-Chromaticism%201%20clip.mp4

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Testimonials

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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