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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-4 Note Pentatonic Cells Lesson
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Playing Outside-4 Note Pentatonic Cells Lesson

Playing Outside-4 Note Pentatonic Cells Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: chromaticism, modern improv, pentatonic shifting, playing outside, video lessons
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  • Reviews (1)
  • Lesson Sample

Description

Playing Outside-Outside 4 Note Pentatonic Cells is another lesson on modern jazz improvisation.  In this lesson we take a look at “playing outside” the tonality of a tune by shifting out of a minor 6th pentatonic using specific 4 note cells derived from a pentatonic scale in another key.

In this 34 minute video lesson, I show you how to shift outside of a key momentarily using 4 note cells chosen from other pentatonic scales. This concept gives the soloist a sound that quickly shifts in and out of the key being played in. I demonstrate the technique on the soprano saxophone with a play along track. I have also included a PDF sheet of some minor 6th pentatonic lines as well as a PDF of 7 cells that sound amazing when inserted into these minor 6th lines.

This lesson goes hand in hand with my lesson “Modern Minor 6th Pentatonic Lines” and is a great lesson for those of you who want to grow in your ability to play “outside” fresh lines that sound modern and impressive.(34 minute video, 2 PDF sheets)

1 review for Playing Outside-4 Note Pentatonic Cells Lesson

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    Rated 5 out of 5

    nigel bispham – October 17, 2014

    This lesson is genius! It has completely revolutionised my approach to playing outside. Steve’s real strength is that he not only provides a really clear rationale for how to approach a new concept, with lots of inspiring examples, but he leaves the door open for you to use your own creativity to rapidly make what you have learned your own. In fact, he actively encourages this, which for me is the mark of a great teacher, in so much as he can present an idea in such a way as to really inspire you to want to use it in your improvisation. I defy any serious improviser not to find this lesson incredibly useful and worth its weight in gold!

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I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I have NEVER seen material like yours.  Amazing!!
Jerry

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