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Out Of Nowhere-Pentatonic Lesson

Out Of Nowhere-Pentatonic Lesson

$9.99

SKU: 067 Category: Scale Studies Tags: jazz improvisation, Out of Nowhere, pentatonic scales, video lesson
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  • Reviews (2)
  • Lesson Sample

Description

In this lesson I show you how I would use an assortment of pentatonic scales over a standard like “Out of Nowhere”. Included in the lesson is a 2 chorus solo I wrote out using only pentatonic scales. I play through the solo for you over the changes so you can hear how the different pentatonic scales sound. This lesson is the next step if you have studied my first two lessons on pentatonics. My goal with this lesson is to show you how you can take what you’ve learned about pentatonics so far and apply them to standards. Enjoy!   (Audio & PDF)

2 reviews for Out Of Nowhere-Pentatonic Lesson

  1. Avatar

    Jeff Taylor – May 23, 2015

    Hi Steve, great exercise. I found a typo in measure 16 over the E7(b9). Shouldn’t be an “A” in that measure. HTH, best wishes

    • Steve

      Steve – May 23, 2015

      Hi Jeff,
      Yes, the A was a passing note I added because it sounded good in the line. The line is mostly B minor 6 b5 though…………….

  2. Avatar

    Jeff Taylor – May 24, 2015

    Np was just following your other choices in the various pentatonic lines and associated chords. Noticed PT’s in the non pentatonic iideas though, so all good.

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Lesson Sample

https://public.neffmusic.com/Out%20Of%20Nowhere%20(Pentatonic%20Solo)%20clip.mp4

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Steve, just a note to say thanks.

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Paul
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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
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