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You are here: Home / Jazz Lessons / Modern Improv / Modern Minor 6th Pentatonic Lines Lesson
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Modern Minor 6th Pentatonic Lines Lesson

Modern Minor 6th Pentatonic Lines Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: jazz education, minor 6th pentatonics, modern jazz improvisation, pentatonics, video lessons
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  • Reviews (1)
  • Lesson Sample

Description

In Modern Minor 6th Pentatonic Lines Lesson,  I move past the concept of minor 6th penatonics (which I introduced you to in my Pentatonics-Lesson 2-Minor 6th Pentatonics Lesson) and give you 9 killer minor 6th pentatonic lines that I use often on dominant chords and minor chords.

These 9 lines are written out in all 12 keys and help to give the improviser a unique and modern sound. I show you how I practice these lines to a play along track on the soprano saxophone so you can hear how each line sounds at different speeds. I teach you the importance of not just memorizing each line but the technique of making it your own by repetition and changing it constantly while practicing.

The Minor 6th pentatonic is a must have tool for any serious student of modern jazz improvisation and this lesson gives you cool lines that you can’t find anywhere else! (31 minute video,12 PDF sheets in all 12 keys)

1 review for Modern Minor 6th Pentatonic Lines Lesson

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    Rated 5 out of 5

    Niklas – September 2, 2015

    Hi

    This lesson was my first encounter with the minor 6th pentatonic scale. The lines in it gave me lots of inspiration to continue working on this pentatonic since its sound is very refreshing to me.
    I also feel that it lends itself very well to making up shape based patterns.
    In retrospective I can see that this material has had great impact on what I can do on e.g. a jazz blues where it fits excellently.
    Motivation is key and by picking only a few of the lines and apply them to a blues was very much fun also surprisingly effective changing my playing.

    I think that even if you are not inclined towards learning whole licks parts of the lines here are really generic and very nice to have under your fingers.

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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

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