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You are here: Home / Jazz Lessons / Practice Habits / Memorizing Jazz Standards-Lesson 2
Memorizing Jazz Standards-Lesson 2

Memorizing Jazz Standards-Lesson 2

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 268 Category: Practice Habits Tags: jazz improvisation, jazz standards, learning, memorizing
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson on Memorizing Jazz Standards-Lesson 2, I take you through the process that I find most effective in memorizing jazz standards.  I show you the complete process as I try to memorize a standard that I do not know (Yes, I do not know them all).  This is a revealing lesson for you because I take you through the beginning steps of how I think through the melody and chord changes. I teach you the things I find the most effective when trying to memorize a jazz standard melody and the chord changes as well as warning you of the common road blocks we all face. Believe me, I was horrible at this when I was younger so I hope to impart some of these things I have learned over the years to you so you can benefit from them.

This is a great lesson to really digest so you can build up your repertoire.  It is not easy nor will you find any magic here.  You will just find lots advice  on what to practice  and how to practice it.  This is Lesson 2 of 3. (29 Minute Video Lesson)

1 review for Memorizing Jazz Standards-Lesson 2

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    Rated 5 out of 5

    Chris Cole (verified owner) – February 23, 2018

    5 Stars! Steve’s four lessons on tune memorization are awesome. Very few players in this era are in the fortunate space where they’re blowing jazz gigs nightly. This makes learning and retaining jazz repertoire a real challenge. Steve’s well thought out approach in each of these lessons and his taking the time in those lessons to explain his thought process is pure gold. It’s rare to get a player of Steve’s calibre is actually slow down and take you through the actual steps he takes. I highly recommend all four of these lessons.

    chis cole

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Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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