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You are here: Home / Jazz Lessons / Practice Habits / Memorizing Jazz Standards-Lesson 1
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Memorizing Jazz Standards-Lesson 1

Memorizing Jazz Standards-Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 267 Category: Practice Habits Tags: jazz improvisation, jazz standards, learning, memorizing
  • Description
  • Reviews (2)

Description

One of the best things you can do for yourself is to learn and memorize jazz standards.  Most working jazz musicians have hundreds of  jazz standards that they have memorized and can play at any moment.  For many students,  learning these standards can be one of the most difficult tasks to complete.   They spend countless hours trying to memorize and play the standards they should know only to get on the gig  and fall apart.  It can be a very frustrating and intimidating experience.

In this lesson, I take you through the process that I find most effective in memorizing jazz standards.  I show you the complete process as I try to memorize a standard that I do not know (Yes, I do not know them all)  This is a revealing lesson for you because I take you through the beginning steps of how I think through the melody and chord changes.  I teach you the things I find the most effective when trying to memorize a song and the chord changes as well as warning you of the common road blocks we all face.  Believe me, I was horrible at this when I was younger so I hope to impart some of the things I have learned over the years  so you can benefit from them.  This is a great lesson to really digest so you can build up your jazz standard repertoire.  It is not easy nor will you find any magic here.  You will just find lots of advice  on what to practice  and how to practice it. This is Lesson 1 of 3. (31 minute video)

2 reviews for Memorizing Jazz Standards-Lesson 1

  1. Avatar
    Rated 5 out of 5

    John – February 20, 2011

    Big Big thanks to Steve for making this series of lessons, Steve gives some very honest views and detail on what he considers are the important areas to memorizing a jazz standard thoroughly. As usual the lessons are flavored with elements of Steve’s humor taken from his life experiences which easily connect with the listener in an enjoyable way. I am looking forward with anticipation to putting Steve’s thoughts to the test on the great choice of tune he uses throughout the lessons – ’Have You Met Miss Jones’

  2. Avatar
    Rated 5 out of 5

    Chris Cole (verified owner) – February 23, 2018

    5 Stars! Steve’s four lessons on tune memorization are awesome. Very few players in this era are in the fortunate space where they’re blowing jazz gigs nightly. This makes learning and retaining jazz repertoire a real challenge. Steve’s well thought out approach in each of these lessons and his taking the time in those lessons to explain his thought process is pure gold. It’s rare to get a player of Steve’s calibre is actually slow down and take you through the actual steps he takes. I highly recommend all four of these lessons.

    chis cole

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Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
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Paul
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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