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You are here: Home / Jazz Lessons / Blues Scales / Mastering the Blues Scale Vol. 2 Lesson 2-Funk Tenor Sax
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Mastering the Blues Scale Vol. 2 Lesson 2-Funk Tenor Sax

Mastering the Blues Scale Vol. 2 Lesson 2-Funk Tenor Sax

$9.99

SKU: 416 Category: Blues Scales Tags: blues licks, blues patterns, jazz sax, Mastering the Blues Scale, tenor saxophone, video lesson
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Description

The blues scale is one of the most important scales you can learn as an improviser.  There is so much history and feeling to it that when you play a great blues lick nothing is better.

In this series of video lesson, I play through all 127 blues licks over C7 from my book “Mastering the Blues Scale Vol. 2-Dominants” on the tenor saxophone.

I have been asked by a number of members on my site if I could provide some video lessons on how I would use the blues licks in Volume 2 over a funk or smooth jazz groove.  These 5 lessons are on that type of groove.

In lesson 2, I take you through blues licks 21-40 in the book.  I demonstrate the licks to a background track I composed that has a funky smooth jazz feel to it.

I demonstrate how to play the licks the way they are written and then how to change them and manipulate them to fit the funk groove of the song.

The power of these licks is realized once they are memorized and internalized.  You must play them enough that you can change them in the moment to fit the sound and feel that you want.  I demonstrate this concept for you on each lick.

To get the most out of these lessons, you will need the book “Mastering the Blues Scale Vol. 2-Dominants” to follow along with the video.

I provide a play along in Bb concert that you can play with as well. (30 Minute Video Lesson & Play Along)

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Testimonials

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

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