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You are here: Home / Jazz Lessons / Chord Studies / Major Triad Intermediate Workout Lesson
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Major Triad Intermediate Workout Lesson

Major Triad Intermediate Workout Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 151 Category: Chord Studies Tags: chord patterns, jazz improvisation, major triads, scale exercises, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

This is another lesson on using major triads. In this lesson I talk to you about some more intermediate concepts that you can use to solidify your triads and how to use them. I give you some exercises to run through the circle of fifths that will help you to master every inversion of the triads and to create long flowing lines that are woven through the changes.  Many new improvisers are enslaved by the structure of the chord changes.  This lesson is to help you break free of the confines of the chords and be able to create long flowing lines that flow through the changes and are not determined by them.  You should have the previous lessons on triads mastered before you tackle this one.  Enjoy! (Video,Audio,PDF)

 

1 review for Major Triad Intermediate Workout Lesson

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    Rated 5 out of 5

    Stephen – November 27, 2010

    This lesson is an important cornerstone of your improvisation technique; it encourages thinking of chords as patterns and heightens thought around chord inversions, it also primes your mind to memorize the patterns in all keys. It is not an easy lesson but it is worth the time you spend on it. Thanks Steve

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Lesson Sample

https://public.neffmusic.com/Major%20Triad%20Intermediate%20Workout%20clip.mp4

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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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Roger
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

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