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You are here: Home / Jazz Lessons / Rhythm & Time / Jazz Reading and Feel Lesson 4 Lesson Deal (only 14.99)
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Jazz Reading and Feel Lesson 4 Lesson Deal (only 14.99)

Jazz Reading and Feel Lesson 4 Lesson Deal (only 14.99)

$39.96 Original price was: $39.96.$14.99Current price is: $14.99.

Categories: Lesson Series Deals, Rhythm & Time Tags: alto saxophone, beginner jazz sax, jazz rhythms, reading music, swing, time feel
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Description

“Jazz Reading and Feel Lesson” is a beginner series on learning to play jazz with the proper articulation and feel. This series of lessons will teach you the fundamentals of playing with a correct jazz feel so that you will be well grounded and can move on to harder material later.

These video lesson are based off of the Lennie Niehaus book “Basic Jazz Conception for Saxophone Vol. 1”. This is the first jazz book I use with my beginner students who have finished “Essential Elements” Book 1. They know the notes, fingerings, and basic elementary rhythms…….so it’s time to get them swinging. I have been using this book as a teaching resource for the last 15 years and it is excellent for 2nd year beginner students.

The book has simple melodic etudes and exercises that are written out with all the proper jazz articulation. This is a great benefit for beginner jazz players as they can see the articulation markings and learn to play with a proper jazz style. The benefit of these video lessons is that I play through the different exercises and etudes so that you can hear many of them played live. I teach you on the video just like I would teach any student that is in my studio. Every mistake and piece of advice that I have given to hundreds of students over the last 15 years is included within these videos. Lesson 1-4 deals with a number of exercises in the book.

I demonstrate all the exercises and teaching points with the alto saxophone. You will need the book “Basic Jazz Conception for Saxophone” Vol. 1 by Lennie Niehaus to get the most out of these lessons and to be able to practice the material. These lessons will teach you the fundamentals of playing with a jazz feel. Have Fun!! (4 30+ Minute Video Lessons)

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Testimonials

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

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