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You are here: Home / Sax Lessons / Sax Technique / Great Saxophone Technique-The Chromatic Scale Lesson 1
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Great Saxophone Technique-The Chromatic Scale Lesson 1

Great Saxophone Technique-The Chromatic Scale Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 171 Category: Sax Technique Tags: chromatic scale, practice habits, saxophone technique, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Many times my students will ask me how I can play so fast………..I always respond “Practice”.  In this lesson I take you through some exercises that I have student work through who need to learn the chromatic scale.  I take you through each step of the exercises and show you how to practice them from the very beginning and build up speed.  I also include many tips on playing them with good technique as well as how to use the metronome with them.  It is important to really get these fundamentals of a solid technique down so that later you will have fewer weaknesses in your playing.  I talk about the best alternate fingering to use and give you some “Inside” tips on how to develop the best hand position and finger movement.  I demonstrate everything on the tenor saxophone.  This is Lesson 1 of a 2 part lesson on the chromatic scale.  Enjoy!  (Video)

1 review for Great Saxophone Technique-The Chromatic Scale Lesson 1

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    Rated 5 out of 5

    Soruyo – February 10, 2011

    I really love how Steve really cares about good habits when playing. This lesson is very important to build up technique. The importance Steve gives to following each of his tips and instructions about how to play the chromatic scale is something everybody should do in order to be a better player and master the instrument.

    I thank Steve for his care about our progress and improvement. Not many (or maybe none) teachers really care about their students´ good habits, improvement and progress.

    Appreciate it Steve! I will definitely do as you say and am sure I´ll feel the difference in my playing. Just as I did with the use of the side Bb key.

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Lesson Sample

https://public.neffmusic.com/Great%20Technique-The%20Chromatic%20Scale%20Lesson%201%20clip.mp4

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Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
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I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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