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You are here: Home / Sax Lessons / Sax Technique / Great Saxophone Technique-The Chromatic Scale Lesson 1
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Great Saxophone Technique-The Chromatic Scale Lesson 1

Great Saxophone Technique-The Chromatic Scale Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 171 Category: Sax Technique Tags: chromatic scale, practice habits, saxophone technique, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Many times my students will ask me how I can play so fast………..I always respond “Practice”.  In this lesson I take you through some exercises that I have student work through who need to learn the chromatic scale.  I take you through each step of the exercises and show you how to practice them from the very beginning and build up speed.  I also include many tips on playing them with good technique as well as how to use the metronome with them.  It is important to really get these fundamentals of a solid technique down so that later you will have fewer weaknesses in your playing.  I talk about the best alternate fingering to use and give you some “Inside” tips on how to develop the best hand position and finger movement.  I demonstrate everything on the tenor saxophone.  This is Lesson 1 of a 2 part lesson on the chromatic scale.  Enjoy!  (Video)

1 review for Great Saxophone Technique-The Chromatic Scale Lesson 1

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    Rated 5 out of 5

    Soruyo – February 10, 2011

    I really love how Steve really cares about good habits when playing. This lesson is very important to build up technique. The importance Steve gives to following each of his tips and instructions about how to play the chromatic scale is something everybody should do in order to be a better player and master the instrument.

    I thank Steve for his care about our progress and improvement. Not many (or maybe none) teachers really care about their students´ good habits, improvement and progress.

    Appreciate it Steve! I will definitely do as you say and am sure I´ll feel the difference in my playing. Just as I did with the use of the side Bb key.

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Lesson Sample

https://public.neffmusic.com/Great%20Technique-The%20Chromatic%20Scale%20Lesson%201%20clip.mp4

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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

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