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Diatonic Third Patterns Lesson

Diatonic Third Patterns Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 204 Category: Scale Studies Tags: diatonic thirds, jazz improvisation, practice habits, scale studies, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Diatonic patterns are a must for any serious student of jazz.   Diatonic thirds are usually the first interval pattern that students will work on.  It is important to get these interval patterns down before attempting larger intervals like fourths,fifths and sixths.   You need to work on these thirds until you can play them in all 12 keys without even thinking about it.  The key to mastering these patterns is repetition.  Where most students fall short, is that they don’t practice these enough.  Don’t make that mistake!

Diatonic Third patterns are valuable because they give you tons of melodic material you can use,   they equip you with a thorough knowledge of the major scale and by working on them you improve your technique.   In this lesson I show you four common patterns using diatonic thirds.  I give you tips on how to best practice them and demonstrate them for you on the soprano sax with some background music.  Playing these pattern with background music is the best way to get the sound of them into your ear in each key that you work on.   This lesson also includes a 12 page pdf of the patterns in every key.  Enjoy!  (30 Minute Video Lesson)

1 review for Diatonic Third Patterns Lesson

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    Rated 5 out of 5

    Mark Klinefelter – May 11, 2017

    I am a 7 year alto player. Starting to learn basic improvisation. I knew it was about time to fully master the intervals. I have practiced them before but not in a serious fashion until a couple of weeks ago. A few days ago I downloaded this lesson on 3rd’s. Steve’s advice and experience were invaluable. The top tip was playing them against the Vol 24 Aebersold backing tracks. So melodic and beautiful. You can improvise over just those simple intervals and they sound great on the particular key track you are playing with. I prefer learning them by sound rather than staring at a piece of paper. That works better for me since you do not have time to look at paper when constructing a melody. I recommend this course for any serious musician.

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Third%20Patterns%20clip.mp4

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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

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