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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Fourth Patterns Lesson
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Diatonic Fourth Patterns Lesson

Diatonic Fourth Patterns Lesson

$9.99

SKU: 203 Category: Scale Studies Tags: diatonic fourths, jazz improvisation, scale patterns, scale practice, video lesson
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Description

Diatonic fourth patterns are a must for any serious student of jazz.  Years ago I remember hearing recordings of Eddie Harris and Joe Farrell from the 70’s.  They were using larger intervals in there solos that sounded really interesting and cool to me but I wasn’t sure what they were doing.  Later,  I found out that they were using lines with fourths in them.  The reason fourths are so distinct and unique sounding is that they break away from the interval of the third that is so common in jazz.   Playing lines in fourths breaks away from the common third and creates lines that are very different sounding.  They are valuable because they give you  melodic material you can use that is unique and modern sounding.  By working on your diatonic fourths you will  equip yourself with a thorough knowledge of the major scale as you improve your technique.

In this lesson,  I show you 4 common patterns using diatonic fourths.  The key to getting more advanced lines into your improvisation is to first master these diatonic fourth patterns by getting them under your fingers and in your ears.  I give you all the tips on how to best do this and demonstrate them for you on the soprano sax with some background music. This lesson also includes a 12 page pdf of the patterns in every key so that you may master them in all 12 keys.  This is a fundamental lesson that you don’t want to miss.  If you have been playing for years and have never worked on your diatonic fourths, it’s not too late. Enjoy!  (Video)

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Fourth%20Patterns%20clip.mp4

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Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

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Claude
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
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I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
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I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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