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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Fourth Patterns Lesson
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Diatonic Fourth Patterns Lesson

Diatonic Fourth Patterns Lesson

$9.99

SKU: 203 Category: Scale Studies Tags: diatonic fourths, jazz improvisation, scale patterns, scale practice, video lesson
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Description

Diatonic fourth patterns are a must for any serious student of jazz.  Years ago I remember hearing recordings of Eddie Harris and Joe Farrell from the 70’s.  They were using larger intervals in there solos that sounded really interesting and cool to me but I wasn’t sure what they were doing.  Later,  I found out that they were using lines with fourths in them.  The reason fourths are so distinct and unique sounding is that they break away from the interval of the third that is so common in jazz.   Playing lines in fourths breaks away from the common third and creates lines that are very different sounding.  They are valuable because they give you  melodic material you can use that is unique and modern sounding.  By working on your diatonic fourths you will  equip yourself with a thorough knowledge of the major scale as you improve your technique.

In this lesson,  I show you 4 common patterns using diatonic fourths.  The key to getting more advanced lines into your improvisation is to first master these diatonic fourth patterns by getting them under your fingers and in your ears.  I give you all the tips on how to best do this and demonstrate them for you on the soprano sax with some background music. This lesson also includes a 12 page pdf of the patterns in every key so that you may master them in all 12 keys.  This is a fundamental lesson that you don’t want to miss.  If you have been playing for years and have never worked on your diatonic fourths, it’s not too late. Enjoy!  (Video)

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Fourth%20Patterns%20clip.mp4

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Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

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