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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Fourth Patterns Lesson
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Diatonic Fourth Patterns Lesson

Diatonic Fourth Patterns Lesson

$9.99

SKU: 203 Category: Scale Studies Tags: diatonic fourths, jazz improvisation, scale patterns, scale practice, video lesson
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Description

Diatonic fourth patterns are a must for any serious student of jazz.  Years ago I remember hearing recordings of Eddie Harris and Joe Farrell from the 70’s.  They were using larger intervals in there solos that sounded really interesting and cool to me but I wasn’t sure what they were doing.  Later,  I found out that they were using lines with fourths in them.  The reason fourths are so distinct and unique sounding is that they break away from the interval of the third that is so common in jazz.   Playing lines in fourths breaks away from the common third and creates lines that are very different sounding.  They are valuable because they give you  melodic material you can use that is unique and modern sounding.  By working on your diatonic fourths you will  equip yourself with a thorough knowledge of the major scale as you improve your technique.

In this lesson,  I show you 4 common patterns using diatonic fourths.  The key to getting more advanced lines into your improvisation is to first master these diatonic fourth patterns by getting them under your fingers and in your ears.  I give you all the tips on how to best do this and demonstrate them for you on the soprano sax with some background music. This lesson also includes a 12 page pdf of the patterns in every key so that you may master them in all 12 keys.  This is a fundamental lesson that you don’t want to miss.  If you have been playing for years and have never worked on your diatonic fourths, it’s not too late. Enjoy!  (Video)

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Fourth%20Patterns%20clip.mp4

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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