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You are here: Home / Sax Lessons / Sax Articulation / Bebop Articulation Lesson 1-Ornithology and Yardbird
Bebop Articulation Lesson 1-Ornithology and Yardbird

Bebop Articulation Lesson 1-Ornithology and Yardbird

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Sax Articulation Tags: articulation, bebop, Charlie Parker, Ornithology, saxophone, video lesson, Yardbird Suite
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  • Reviews (1)

Description

In this lesson, I take an in-depth look on how to articulate two Charlie Parker tunes in the Charlie Parker Omnibook. We take a look at Ornithology and Yardbird Suite. I play the melodies slowly on the alto saxophone and talk about each note and how to properly apply bebop articulation to it. I then play them at full speed so that you can hear how the articulation sounds at that speed. I also give you insights and tips on how to practice from the Omnibook as well as an in-depth look at the different rhythms Charlie Parker uses in these classic melodies.

This is a great lesson for those of you who want to learn more about jazz articulation on the saxophone and want to make sure you are doing it correctly as you begin working on the Omnibook. You will need the Charlie Parker Omnibook to get the most out of this lesson. All of the examples are played on the alto sax.(44 Minute Video Lesson)

1 review for Bebop Articulation Lesson 1-Ornithology and Yardbird

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    Rated 5 out of 5

    Simon Sherwood (verified owner) – February 10, 2018

    Just wanted to send you a quick note to say thank you for such a great lesson. I’ve only watched the Ornithology section, but I can already see how helpful it will be for me. It’s great how you play it how it shouldn’t sound…very very helpful (I think you did that with some of the Niehaus examples too). Anyway, thanks again and all the best,
    Regards
    Simon Sherwood

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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I have NEVER seen material like yours.  Amazing!!
Jerry

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

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