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You are here: Home / Sax Lessons / Sax Articulation / Bebop Articulation Lesson 1-Ornithology and Yardbird
Bebop Articulation Lesson 1-Ornithology and Yardbird

Bebop Articulation Lesson 1-Ornithology and Yardbird

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Sax Articulation Tags: articulation, bebop, Charlie Parker, Ornithology, saxophone, video lesson, Yardbird Suite
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  • Reviews (1)

Description

In this lesson, I take an in-depth look on how to articulate two Charlie Parker tunes in the Charlie Parker Omnibook. We take a look at Ornithology and Yardbird Suite. I play the melodies slowly on the alto saxophone and talk about each note and how to properly apply bebop articulation to it. I then play them at full speed so that you can hear how the articulation sounds at that speed. I also give you insights and tips on how to practice from the Omnibook as well as an in-depth look at the different rhythms Charlie Parker uses in these classic melodies.

This is a great lesson for those of you who want to learn more about jazz articulation on the saxophone and want to make sure you are doing it correctly as you begin working on the Omnibook. You will need the Charlie Parker Omnibook to get the most out of this lesson. All of the examples are played on the alto sax.(44 Minute Video Lesson)

1 review for Bebop Articulation Lesson 1-Ornithology and Yardbird

  1. Avatar
    Rated 5 out of 5

    Simon Sherwood (verified owner) – February 10, 2018

    Just wanted to send you a quick note to say thank you for such a great lesson. I’ve only watched the Ornithology section, but I can already see how helpful it will be for me. It’s great how you play it how it shouldn’t sound…very very helpful (I think you did that with some of the Niehaus examples too). Anyway, thanks again and all the best,
    Regards
    Simon Sherwood

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Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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