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You are here: Home / Sax Lessons / Sax Articulation / Bebop Articulation Lesson 1-Ornithology and Yardbird
Bebop Articulation Lesson 1-Ornithology and Yardbird

Bebop Articulation Lesson 1-Ornithology and Yardbird

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Sax Articulation Tags: articulation, bebop, Charlie Parker, Ornithology, saxophone, video lesson, Yardbird Suite
  • Description
  • Reviews (1)

Description

In this lesson, I take an in-depth look on how to articulate two Charlie Parker tunes in the Charlie Parker Omnibook. We take a look at Ornithology and Yardbird Suite. I play the melodies slowly on the alto saxophone and talk about each note and how to properly apply bebop articulation to it. I then play them at full speed so that you can hear how the articulation sounds at that speed. I also give you insights and tips on how to practice from the Omnibook as well as an in-depth look at the different rhythms Charlie Parker uses in these classic melodies.

This is a great lesson for those of you who want to learn more about jazz articulation on the saxophone and want to make sure you are doing it correctly as you begin working on the Omnibook. You will need the Charlie Parker Omnibook to get the most out of this lesson. All of the examples are played on the alto sax.(44 Minute Video Lesson)

1 review for Bebop Articulation Lesson 1-Ornithology and Yardbird

  1. Avatar
    Rated 5 out of 5

    Simon Sherwood (verified owner) – February 10, 2018

    Just wanted to send you a quick note to say thank you for such a great lesson. I’ve only watched the Ornithology section, but I can already see how helpful it will be for me. It’s great how you play it how it shouldn’t sound…very very helpful (I think you did that with some of the Niehaus examples too). Anyway, thanks again and all the best,
    Regards
    Simon Sherwood

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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I have NEVER seen material like yours.  Amazing!!
Jerry

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James

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