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You are here: Home / Jazz Lessons / Approach Notes / Autumn Leaves-Approach Note Velocity Combinations Lesson
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Autumn Leaves-Approach Note Velocity Combinations Lesson

Autumn Leaves-Approach Note Velocity Combinations Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 402 Category: Approach Notes Tags: approach notes, Autumn Leaves, jazz improvisation, saxophone, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson, I show you how to use my “Approach Note Velocity” book on a tune like “Autumn Leaves”.

I show you how to use the lines in the book in the keys of C Major and A Minor over “Autumn Leaves”.  Learning these lines and approaches can give the improviser a very modern and cool sound to their solos.  Instead of worrying about each chord and change, you can instead play lines in the key center of the tune you are improvising on.  By navigating between C Major and A minor you can create some great lines that sound hip and amazing.

This lesson comes with 2 play alongs for “Autumn Leaves” .  One is at 120 bpm to practice the lines slower and one is at 160bpm to practice them faster.

To get the most out of this lesson you will need my  book “Approach Note Velocity Vol.1 & 2” to get the most out of this lesson as it is not included.

I demonstrate all the lines from the book on the tenor saxophone. (28 Minute Video Lesson)

1 review for Autumn Leaves-Approach Note Velocity Combinations Lesson

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    Rated 5 out of 5

    Hugh – December 3, 2013

    I downloaded your lesson on using approaches over ‘Autumn Leaves’, and have watched it a couple of times. I think this lesson looks great: previously I have been practicing the combination over static chords, but this lesson has the advantage of applying them to IIVs, and makes you practice major and minor combinations together. I can see myself spending a lot of time with this
    .

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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

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