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You are here: Home / Jazz Lessons / Approach Notes / Approaching Rhythm Changes Lesson
Approaching Rhythm Changes Lesson

Approaching Rhythm Changes Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 005 Category: Approach Notes Tags: approach notes, audio lesson, jazz improvisation, rhythm changes
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In jazz, rhythm changes is a modified form of the chord progression of George Gershwins’s song “I Got Rhythm”, which forms the basis of countless (usually uptempo) jazz compositions.  Examples of some tunes based off of  rhythm changes are Oleo, Cotton Tail, Salt Peanuts, Dexterity and Rhythm-a-Ning.   Today, mastery of the blues and rhythm changes are critical to mastering a jazz vocabulary.  You can’t go into a jam session or open mic to sit in without having a firm grasp of rhythm changes.  They are usually played at very fast tempos and if you don’t have a deep knowledge of the chords and song form you can quickly be left in the dust.

In this audio lesson, I show you a cool method to navigate through rhythm changes using approach notes lines from my book “Approach Note Velocity”.   Approach note lines are lines and patterns that use a series of “approach notes” to approach a target chord tone.  Approach note lines cause a temporary tension and dissonance in the line that is then relieved when you hit the target chord tone.  The great thing about these approach note lines is that they weave in and out of a key center while at the same time highlighting the notes of that key center on the strong downbeats.  For example, the “A” section of rhythm changes has many chords in it that are only 2 beats in length.  At a fast tempo the rhythm changes chords fly by and many improviser’s rely on stock lines and patterns to outline these changes in a rote way.  By using approach note lines over the “A ” section, we weave in and out of the key of C while navigatiing these rhythm changes chords.  This has the effect of highlighting the key of C while at the same time creating lines that are bouncing and weaving around the key center.  The freedom that this approach can give to the improviser is liberating.  Instead of being tied to a specific set of chord changes you can float above the changes as you improvise your lines and create new and different melodies.

Mastering this lesson is a great way to add a new dimension to your playing over rhythm changes while at the same time mastering all your approaches in five different keys.  This lesson also includes a 2 page pdf with examples of approaches you can play over the bridge.  If you master this stuff  you’ll be burning on “Oleo” in no time.  You will need my book “Approach Note Velocity” to get the most out of this lesson.  (20 Minute Audio Lesson)

1 review for Approaching Rhythm Changes Lesson

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    Rated 5 out of 5

    kenfukui – July 21, 2009

    I find practicing my approach note exercises over Rhythm Changes helps to ingrain the approach note phases while also working on Rhythm Changes. This lesson has really helped me apply what I have learned.

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Lesson Sample

https://public.neffmusic.com/Approaching%20Rhythm%20Changes%20clip.mp4

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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

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