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All the Approaches Lesson 3-All the Things You Are

All the Approaches Lesson 3-All the Things You Are

$9.99

SKU: 063 Category: Approach Notes Tags: all the things you are, approach notes, audio lesson, jazz improvisation
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Description

In this, the third in a series of lessons on mastering approach note patterns over a  jazz standard, I use the tune “All the Things You Are” to teach you how to target and approach the chord tones for each chord.  This is a great method to  produce flowing, logical lines, that move convincingly through the chord changes.  All the Things You Are is a terrific jazz tune to practice this over because it travels in a circle of fifths pattern through a multitude of chords.

These lessons are an offshoot of my “Approach Note Velocity” books. Whereas those books are about playing approaches over static major and minor grooves, these lessons are about playing the approaches on standards that change chords quite often.

In this lesson, I pick up the pace by tackling two more approach note patterns.  I demonstrate how to use them to approach the Root, Third, Fifth and Seventh of each chord to build a solo that moves logically and musically from chord to chord.  Using the great jazz standard “All the Things You Are”, I show you how to put this method into use straight away. You’ll learn how to practice these approach notes so that they become an integral and automatic part of your playing style.  As we progress through these Approach Note lessons, you’ll find your technique and musicality improving tremendously as playing over standard changes becomes demystified and accessible.  I show you how to apply this method to any tune you’re learning.  If you’ve always wondered how the pro players manage to play over chord changes with such apparent ease, and longed to be able to do the same, then working on these “Approach Note” lessons will help you achieve that goal.

This lesson includes two PDF sheets that clearly explains all the approaches I use over “All the Things You Are.”  (Audio Lesson)

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Lesson Sample

https://public.neffmusic.com/All%20the%20Approaches-Lesson%203%20clip.mp4

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Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

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