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A Mature Embouchure Lesson

A Mature Embouchure Lesson

Rated 5.00 out of 5 based on 5 customer ratings
(5 customer reviews)

$9.99

SKU: 058 Category: Sax Tone Tags: sax basics, sax lesson, sax tone, saxophone embouchure, video lesson
  • Description
  • Reviews (5)
  • Lesson Sample

Description

The word “embouchure” refers to the position of the mouth around the mouthpiece of the saxophone.  The minute details of how your embouchure is formed and manipulated while you play is a vital part of getting a mature sound on the sax.  In this video lesson I talk in depth about different aspects of a mature embouchure.  I teach about the signs of an embouchure that is not developed and show you some ways to improve it.  I go into detail on the different things you can change and work on that will improve your sound and playing.

The things discussed in this lesson are:  bottom lip position,  placement on the mouthpiece, teeth pressure,  jaw movement,  maximum reed response,  breathing ,  tongue position as well as some other aspects of playing.  I made this a video lesson so you can see first hand as I describe and show you the things I’m teaching about.

5 reviews for A Mature Embouchure Lesson

  1. Avatar
    Rated 5 out of 5

    Mark Crowley – May 10, 2011

    I was amazed by how much this single lesson helped me improve my playing. I had thought my embouchure was ok but after viewing this lesson the lower lip pain I had been experiencing (and thought was normal) disappeared completely and my tone became much more open and pleasant sounding. I highly recommend “A Mature Embouchure”.

  2. Avatar
    Rated 5 out of 5

    Thomas McCartney – February 14, 2012

    I’ve had problems for several years with fatigue in my embouchure muscles. I’ve instinctively known that there’s something in my technique causing the soreness, but have been unable to figure out what to change about the way I play. I implemented the suggestions Steve gives in the video about tongue position, and have found that I can play with more endurance. I think the improvement has to do with a more efficient airstream. I used to leave my tongue flat, which filled my mouth with air on the sides. This caused me to puff out my cheeks, which probably required more muscle effort to get the air into the mouthpiece. Sort of like a hose ballooning out, vs having a nozzle at the end. Steve explains useful concepts in a very easy to understand manner.

  3. Avatar
    Rated 5 out of 5

    Doug (verified owner) – October 5, 2015

    Your lesson on a mature embouchure was the best and clearest explanation I have seen in 30 years of playing saxophone. Well done !

  4. Avatar
    Rated 5 out of 5

    Chuck (verified owner) – July 26, 2020

    I want to thank you for this video. I’ve been working from it for about a week and a half and love what is happening to my sound and control so far! Again,
    Thank you!
    Chuck

  5. Avatar
    Rated 5 out of 5

    sebastião paz de sousa – August 28, 2020

    excelente método!

    Translation:

    excellent method!

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Lesson Sample

https://public.neffmusic.com/A%20Mature%20Embouchure%20clip.mp4

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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

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