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4 Note Groupings Lesson 3

4 Note Groupings Lesson 3

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Category: 4 Note Groupings Tags: melodic shapes, note groupings.jazz improvisation, video lesson
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Description

Most jazz improvisation teachers will teach on 4 note groupings at one point or another.  I had a few teachers as I was growing up that taught me this way.  I remember studying out of “Patterns for Jazz” when I was a kid and working on 4 note groupings in every key.  I also studied it with the great jazz improvisation teacher Jerry Bergonzi as well as learning about them at Berklee.

To be honest, every time I studied this method when I was younger, I hated it.  It was not until years later, as I look back, that I realize the great benefit that these studies had for me.  In this video series,  I will try to teach you this concept in a way that is appealing and understandable.

In this third lesson on 4 note grouping, I focus on taking simple 4 note groupings from lesson 1 and teach you how to use them as 5679 of another chord. I show you how to work through them so that you can choose the ones you like the best.
This is the third lesson in a series of lessons on this topic.  As we move through the series you will discover how to use these 4 note groupings as melodic material to use in your improvised solos.  This is a great lesson to learn about all the possibilities that a simple four notes can give you. (30 Minute Video Lesson)

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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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Ed Woodmansee
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

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