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You are here: Home / Jazz Lessons / Blues Scales / 12 Great A7 Dominant Blues Licks Lesson
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12 Great A7 Dominant Blues Licks Lesson

12 Great A7 Dominant Blues Licks Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 048 Category: Blues Scales Tags: blues licks, blues scale, jazz improvisation, patterns
  • Description
  • Reviews (2)
  • Lesson Sample

Description

The dominant chord is one of the most important and frequently encountered chords in all styles of music.  From Jazz to Rock, from Funk to Pop, learning to play over the Dominant Seventh chord is an essential requirement for any player.

In this lesson,  I show you 12 great blues licks using the Blues Scales you’re already familiar with, to create great sounding lines over a Dominant Seventh chord.  Listen and then play along with the blues licks on the PDF sheet included with the lesson.  I demonstrate each blues lick a number of times on the tenor saxophone, so that you can hear the phrasing, inflections and style of each lick.  I also demonstrate and discuss adding different notes to the basic Blues Scale to create more modern hip sounding lines.  I demonstrate how to handle the different notes of the Blues Scale over a Dominant sound.  I talk about the inherent tension of the Dominant Chord and how you can learn to create and resolve tension in your solo.  I demonstrate this concept on my tenor sax, so that you can actually hear how each note wants to resolve. I also explain what is happening in each blues lick and why different notes of the scale want to resolve in different ways.  Once you hear and understand this idea, rather than just memorizing these blues licks, you’ll learn how to create your own great sounding blues licks based upon this concept.
I also discuss my approach to practicing and internalizing these blues licks and give you ideas for making your practice enjoyable as well as productive by using play-along tracks and blues, pop and funk tunes you might have in your collection.

This lesson makes a great follow up to my earlier Blues Lessons and will really get you using the Blues Scale in a whole new way.  (30 Minute Audio Lesson)

2 reviews for 12 Great A7 Dominant Blues Licks Lesson

  1. Avatar
    Rated 5 out of 5

    C.N. – July 4, 2009

    Wow!!!!!!!!!! Do you need some ideas to add to your blues repertoire? If you do, start right here! You won’t need anything else for quite a while. I really enjoy this lesson! (actually, I enjoy all of them) But, this one, Wow!!!!!!!!!!!! Thank you Steve! C.N.

  2. Avatar
    Rated 5 out of 5

    Greg – September 26, 2018

    Hi Steve
    Today I’ve been playing through a lesson that you created on A7 blues licks and it provided the missing link for me between major and minor blues. How you’ve emphasized the 4th and flat 7th brings an authentic dominant blues sound alive. I just wanted to say thank you for a terrific lesson and I’m glad you are still teaching and sharing what works so clearly.

    I’m going to buy your dominant blues book and pick up a few more brilliant ideas.

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Lesson Sample

https://public.neffmusic.com/12%20Blues%20Licks%20clip.mp4

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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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P
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

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